
Basketball
10 works

Four Majors (B), 2018
Multicolor screen print on coventry rag
19 x 13 in 48.3 x 33 cm
Edition of 50
"Four Majors" by Jonas Wood captures the essence of professional tennis with a dynamic composition featuring the four major tennis tournaments: the Australian Open, French Open, Wimbledon, and the U.S. Open. Wood's signature style brings the scenes to life with vibrant colors, flattened perspectives, and meticulous attention to detail. Each tournament setting is rendered in a way that emphasizes the unique atmosphere and traditions of these grand events, celebrating the energy and excitement that tennis fans eagerly anticipate each year.
Price on Application

Four Majors · Jonas Wood · Phillips · 2025-01 · $175,072

Four Majors · Jonas Wood · Sotheby's · 2023-09 · $110,833

Four Majors · Jonas Wood · Sotheby's · 2021-10 · $89,377

Four Majors · Jonas Wood · Sotheby's · 2019-04 · $66,880

Four Majors · Jonas Wood · Phillips · 2019-10 · $56,250

Jonas Wood's "Four Majors" series represents a significant achievement within the artist's celebrated body of sports-themed work, presenting graphic interpretations of tennis's four Grand Slam tournaments: the Australian Open, French Open, Wimbledon, and US Open. Created in Wood's signature flat, pattern-heavy style, these works transform the iconic courts and environments of professional tennis into bold compositional studies. Each print captures the distinct visual identity of its respective tournament—from the hard courts of Melbourne and Flushing Meadows to the red clay of Roland Garros and the manicured grass of the All England Club. Wood employs his characteristic use of aerial perspective, vibrant color blocking, and decorative patterning to elevate these sporting venues into complex formal arrangements that balance representation with abstraction.
Tennis occupies a particularly important position in Wood's artistic practice, serving as both personal subject matter and vehicle for exploring spatial relationships, architecture, and pattern. The sport's geometric courts, structured playing surfaces, and defined boundaries align perfectly with Wood's interest in flattened picture planes and graphic clarity. In the "Four Majors" series, he synthesizes observational detail with his distinctive visual language—incorporating elements like court lines, crowd patterns, and surrounding architecture into cohesive, puzzle-like compositions. These works demonstrate Wood's ability to find profound aesthetic possibility in contemporary subjects, rendering familiar sporting imagery strange and fresh through his unique pictorial approach.
The "Four Majors" series has garnered significant collector interest, reflecting Wood's strong market position among contemporary painters and printmakers. His sports imagery appeals to both traditional art collectors and crossover audiences drawn to his accessible yet sophisticated subject matter. As limited editions, these prints offer entry points into Wood's practice while maintaining the conceptual rigor and visual complexity of his larger paintings. The series exemplifies how Wood has established himself as a leading voice in contemporary figuration.
Information courtesy of Guy Hepner gallery.

Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.