
Four Majors
4 works

Vote, 2018
Offset Lithograph
10 x 15 3/4 in 25.4 x 40 cm
Edition of 300
This offset lithograph presents Wood's characteristic approach to graphic flatness and bold color relationships. The composition features simplified geometric forms and vibrant hues that demonstrate the artist's distinctive visual language developed throughout his painting practice. The lithographic medium allows for precise registration of color layers, creating crisp boundaries between shapes that amplify the work's graphic impact. At 10 by 15 3/4 inches, the piece maintains an intimate scale while delivering the visual punch associated with Wood's larger canvases. Wood's work has garnered significant attention from major institutions and collectors for its unique synthesis of pattern, architecture, and domestic imagery. This 2018 lithograph represents an accessible entry point into the artist's practice, offering the compositional sophistication of his paintings in a more approachable format. The edition exemplifies his ongoing exploration of surface, color, and abstracted form that has positioned him as one of the most compelling contemporary artists working today. Available for purchase — enquire for price and availability.
Price on Application

VOTE 2020 · Jonas Wood · Phillips · 2022-10 · $11,340

Vote · Jonas Wood · Christie's · 2021-03 · $6,000

Vote; Vote 2019; and Vote 2020 · Jonas Wood · Phillips · 2024-09 · $5,019

Vote · Jonas Wood · Heritage Auctions · 2020-03 · $3,750

Vote · Jonas Wood · Heritage Auctions · 2019-11 · $3,000


Jonas Wood
Basketball and Plant
2017

Jonas Wood
Double Basketball Orchid (State I)
2017

Jonas Wood
Double Basketball Orchid (State II)
2017

Jonas Wood
Double Basketball Orchid 2 (set of three)
2020

Jonas Wood
Double Basketball Orchid 2 (state I)
2020

Jonas Wood
Double Basketball Orchid 2 (state II)
2020

Jonas Wood
Double Basketball Orchid 2 (state III)
2020

Jonas Wood
Untitled (Bird 33)
2008

Jonas Wood
Untitled Basketball Drawing
2018
Jonas Wood's celebrated "Basketball" series represents a pivotal convergence of the artist's longstanding fascination with sports ephemera and his distinctive approach to still life composition. Drawing from his personal collection of vintage basketballs, Wood transforms these utilitarian objects into vibrant subjects of painterly investigation. The series showcases his signature flattened perspective and bold color palette, where weathered leather surfaces and faded logos become opportunities for formal experimentation. Each canvas demonstrates Wood's meticulous attention to detail while maintaining an accessible, pop-inflected aesthetic that has defined his practice.
The basketball imagery resonates deeply with Los Angeles culture, where Wood has lived and worked for decades. These paintings capture the casual athleticism and recreational spirit intrinsic to Southern California life, where basketball courts punctuate neighborhoods from Venice Beach to the San Fernando Valley. Wood's treatment elevates the humble basketball beyond mere sporting equipment into an icon of West Coast lifestyle and urban identity. His compositions often feature multiple balls arranged against flat, graphic backgrounds, creating rhythmic patterns that echo both classical still life traditions and contemporary design sensibilities.
Collectors have enthusiastically embraced the "Basketball" series for its unique position within Wood's broader oeuvre and its strong market performance. These works offer an accessible entry point into the artist's visual language while maintaining the conceptual rigor and technical sophistication that characterize his museum-quality production. For comprehensive access to Jonas Wood's basketball paintings and expert guidance on available works, contact Guy Hepner gallery.

Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.