Guy Hepner Gallery

Gerhard Richter Flow P4 For Sale

Gerhard Richter
Gerhard Richter - Flow P4, 2014, Diasec-mounted chromogenic print on aluminium

Flow P4, 2014

Diasec-mounted chromogenic print on aluminium

17 3/4 x 17 3/4 in 45 x 45 cm

Edition

Edition of 500

About this work

Flow P4 is a Diasec-mounted chromogenic print on aluminium, produced in 2014 as part of Gerhard Richter's Flow series with Heni Editions. Measuring 45 × 45 cm and issued in an edition of 500, the work belongs to the group of compact, square-format editions that form the intimate core of the Flow series. The Diasec process—face-mounting the chromogenic print behind a protective layer of acrylic glass and onto an aluminium substrate—ensures both the precision of colour rendering and the long-term archival integrity of the image. The Flow series takes its distinctive visual language from the extraordinary large-scale abstract canvases that Richter produced during the years spanning the series, in which paint is poured and directed across vast surfaces to create turbulent, luminous fields of interlocking colour. Flow P4 captures this language in a format that makes it accessible without diminishing its complexity: the 45 × 45 cm square format concentrates the swirling fields of pigment within a tightly bounded space, intensifying the work's sense of contained energy. The chromogenic process renders the colours with the saturation and tonal range of the original paintings, while the Diasec surface adds the depth and luminosity that are the hallmark of Richter's edition production. As one of the foundational works in the Flow series, Flow P4 reflects the full maturity of Richter's abstract practice and the exceptional standard of his collaboration with Heni Editions. The square format is a particularly satisfying compositional choice, the symmetry of the support counterbalancing the turbulent asymmetry of the flowing pigment within. Flow P4 is a work of immediate visual pleasure and lasting formal intelligence, ideal for collectors who seek the depth of Richter's abstraction in an intimate and accessible format.

Price on Application

Auction History

Gerhard Richter - Flow P4

Flow P4 · Gerhard Richter · Ketterer Kunst · 2017-06 · $5,737

Gerhard Richter - Flow 2013-P4

Flow 2013-P4 · Gerhard Richter · Dorotheum · 2015-06 · $10,504

Gerhard Richter - Flow (P4)

Flow (P4) · Gerhard Richter · Christie's · 2026-03 · $3,825

Gerhard Richter - “Flow (P4, P5, P6, P7)”

“Flow (P4, P5, P6, P7)” · Gerhard Richter · Dorotheum · 2025-06 · $13,917

Gerhard Richter - Flow (P4-7)

Flow (P4-7) · Gerhard Richter · Sotheby's · 2025-03 · $0

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Flow P4

About Gerhard Richter

Gerhard Richter (b. 1932, Dresden, Germany) is widely regarded as the most significant living European painter and one of the defining artistic figures of the postwar era. Born in Dresden under National Socialism, trained at the Dresden Art Academy under the constraints of Socialist Realism, Richter defected to West Germany in 1961 — just before the Berlin Wall closed — and enrolled at the Düsseldorf Art Academy, where contact with Joseph Beuys and the energies of the West German avant-garde precipitated a radical reassessment of everything he had been taught. Out of that collision came a practice of extraordinary ambition and range: not one aesthetic position but two simultaneous and apparently irreconcilable ones, pursued in parallel across more than sixty years.

On one side are the photo paintings — works derived from found and personal photographs, rendered in oil with subtle blurring that dissolves photographic clarity into something resembling memory, loss, and the instability of the visual record. His Atlas (begun 1962) — thousands of photographs, newspaper clippings, and sketches organised into panels — functions as both source material and artwork in its own right, a vast and obsessive archive. On the other side are the Abstrakte Bilder: large paintings made by dragging a squeegee across layers of wet paint, creating eruptions of colour, complex layered surfaces, and atmospheric veils that have no precise precedent in the history of abstract painting. Developed from the late 1970s onward, these works have achieved the highest prices of his career and remain among the most sought-after objects on the global art market.

Between these two poles, Richter has also produced Colour Charts, Grey Paintings, overpainted photographs, and a vast body of prints and editions that together constitute one of the most comprehensive and intellectually serious careers in contemporary art. His print output — spanning hundreds of works including P11, Bagdad, and Sils Maria — is actively traded at Christie's, Sotheby's, and Phillips. His auction record stands at £37,200,000 for Domplatz, Mailand at Sotheby's London in 2013, with Abstraktes Bild (599) achieving £30,400,000 at Sotheby's London in 2015. These are prices that reflect both the rarity of major works and the depth of global institutional and collector demand.

Richter's work is held at the Museum of Modern Art, Tate Modern, the Centre Pompidou, Museum Ludwig Cologne, the Whitney Museum of American Art, the Art Institute of Chicago, SFMOMA, the Staatsgalerie Stuttgart, and the Albertina Vienna, among dozens of other major institutions. He is the subject of an extensive critical literature and remains one of the few living artists whose work commands sustained scholarly attention alongside the highest commercial interest.

Guy Hepner has significant expertise in the Gerhard Richter market, working with collectors across his prints, editions, and works on paper. Our gallery at 177 Tenth Avenue, New York offers expert guidance on acquisition and collection strategy. For those looking to sell Richter works or seeking a free, confidential valuation, we offer access to a global network of qualified buyers and deep knowledge of the current market for his work.

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