
Works on Paper
3 works

Untitled, 1999
Chinagraph pencil on paper
30 x 22 in ; 76.2 x 55.9 cm
George Condo's drawings occupy a distinctive place in the landscape of contemporary art, showcasing an innovative fusion of classical and modern influences that defy easy categorization. As an art historian examining Condo's oeuvre, one is immediately struck by the artist's adept skill in blending elements of European Old Master paintings with the aesthetics of American pop culture, creating a body of work that is both a critique and celebration of the human condition. Condo's drawings are characterized by their complex, often grotesque, portrayal of characters that seem to inhabit a distorted reality of his own making. These figures, which the artist refers to as "artificial realism" or the "realistic representation of that which is artificial," challenge our perceptions of beauty, horror, comedy, and tragedy. By doing so, Condo invites viewers to reconsider the boundaries of psychological and emotional states through the lens of his vividly imagined universe. A hallmark of Condo's technique is his exceptional ability to manipulate traditional drawing materials—graphite, charcoal, pastel—to achieve a remarkable depth and intensity. His command of line and form draws inevitable comparisons to the work of old masters like Rembrandt or Goya, yet the immediacy and irreverence of his subject matter root his drawings firmly in the contemporary era. This juxtaposition of the classical and the modern is not merely a stylistic choice but a commentary on the fragmented nature of postmodern identity and society's collective psyche. Moreover, Condo's work is notable for its exploration of the absurd and the macabre, often infused with humor. His characters, with their exaggerated facial expressions and improbable anatomical configurations, serve as mirrors reflecting the absurdities of the world around us. In this sense, Condo's drawings can be seen as part of a long tradition of satirical art, a lineage that includes artists as varied as Daumier, Picasso, and Basquiat. The impact of George Condo's drawings on contemporary art is profound. By challenging viewers to confront the uncomfortable aspects of human nature and society, Condo's work stimulates a dialogue about the role of art in reflecting and shaping our understanding of reality. His drawings not only exemplify technical mastery but also embody a philosophical inquiry into the nature of existence, making George Condo a pivotal figure in the narrative of 21st-century art.
Price on Application

Untitled · George Condo · Phillips · 2026-04 · $0

Untitled · George Condo · Phillips · 2026-03 · $30,960

Untitled · George Condo · Phillips · 2026-02 · $41,280

Untitled · George Condo · Sotheby's · 2026-02 · $10,880

Untitled · George Condo · Sotheby's · 2026-01 · $482,600


George Condo
Clown
1989

George Condo
Droopy Dog Abstraction
2017

George Condo
Imaginary Crowd
2001

George Condo
Imaginary People
2001

George Condo
Insane Clown
2019

George Condo
Invocations of Miles
2000

George Condo
Line of Figures
2001

George Condo
Lost in Time
2024

George Condo
Paper Faces
2000

George Condo
Portrait and Head
2024

George Condo
Prismatic Head
2024

George Condo
Reclining Nude Forms (State I)
2001

George Condo
Reclining Nude Forms (State II)
2001

George Condo
Renaissance Musicians
2019

George Condo
Table
1989

George Condo
Three Figures
2018

George Condo
Untitled (Delineated Facial Composition)
1989

George Condo
Untitled (landscape)
1995

George Condo
Untitled (Port of 4)
1989

George Condo
Untitled (Port of 7)
1989

George Condo
Young Girl In The Wild
2018
George Condo's print editions occupy a compelling position in the contemporary market: they offer access to one of the most critically acclaimed and institutionally recognised painters of his generation at a fraction of the price of his canvases, which have regularly achieved $1–5 million at auction. Condo's editions — including screenprints, lithographs, and digital prints — have demonstrated consistent secondary market appreciation, particularly following his major retrospective at the New Museum in 2011 and sustained museum acquisitions globally.
At Guy Hepner, Condo editions have served as both entry-level acquisitions for new collectors and as substantive holdings within more advanced collections. Edition prices typically range from $3,000 to $30,000 depending on format, edition size, and subject, with his most sought Psychological Moralist series works exceeding this range.
Condo has engaged with printmaking throughout his career, producing editions in collaboration with leading print publishers and studios. His prints translate his signature visual language — distorted figuration, psychological intensity, multiple simultaneous emotional states rendered in a single face — into reproducible form without compromising the conceptual density of his paintings.
His editions frequently reference Old Master portraiture, Cubism, and Surrealism while maintaining the distinctly American vernacular energy that characterises his entire practice. The figures in his prints carry the same unresolved psychological charge as his canvases: faces that laugh and grimace simultaneously, compositions that hold multiple contradictory expressions in suspension.
Condo's figure-based prints command stronger secondary market performance than his more abstract works. The distorted portrait editions — particularly works referencing his Psychological Moralism subjects — are the most sought by collectors building coherent holdings.
Signed and numbered editions from established publishers carry the strongest resale documentation. Works from collaborations with high-profile publishers have historically outperformed privately distributed editions in secondary market liquidity.
Condo's print editions are typically accompanied by certificates of authenticity from their publishing houses. Works should bear the artist's signature and edition numbering. Condition assessment follows standard print protocols: paper stability, ink vibrancy, absence of foxing or surface damage.
Condo's institutional profile continues to strengthen, with significant museum acquisitions and major gallery exhibitions sustaining collector and academic interest. His print editions offer meaningful upside relative to their current price points, particularly as his canvas market continues to demonstrate strength.
Contact Guy Hepner at 177 10th Avenue, New York to discuss current availability of George Condo editions and acquisition strategy.

George Condo prints for sale at Guy Hepner Gallery include a curated selection of his most significant editions across etching, lithography, screenprinting, and aquatint. Condo's print output — spanning four decades and some of the most psychologically charged images in contemporary graphic art — translates the visceral intensity of his painted practice into editioned formats accessible to collectors at every level. Whether you are looking to buy George Condo art for the first time or expanding an established collection, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, full provenance documentation, and access to works across his full edition output.
George Condo (b. 1957, Concord, New Hampshire) is one of the most intellectually ambitious and formally distinctive painters working in America today — an artist who has spent four decades developing a singular synthesis of Old Master technique, Picassian Cubism, Surrealist imagery, and the grotesque-comic visual language of cartoons into a practice he has described as Psychological Cubism and Artificial Realism. Condo studied art history and music theory at the University of Massachusetts Lowell before relocating to New York in the early 1980s, where his career unfolded alongside some of the most energetic figures of that moment: he worked at Andy Warhol's Factory and counted Jean-Michel Basquiat and Keith Haring among his closest interlocutors.
He spent formative periods in Cologne and Paris in the mid-1980s, absorbing the technical traditions of European painting — the glazed surfaces of the Old Masters, the psychological intensity of Goya's portraits, the spatial fracturing of Picasso's Cubism — and bringing them into contact with the flat graphic energy of American cartoons, the fragmented anxieties of Surrealism, and a sustained interest in the human face as a site of psychological distortion and revelation.
Condo's portraits — works he describes as representations of imaginary or psychological states rather than specific individuals — depict faces that are simultaneously recognisably human and explosively distorted: multiple eyes, displaced noses, mouths caught in expressions that compress laughter and anguish into a single gesture. These works operate with a force that is simultaneously uncomfortable and irresistibly compelling; the grotesque is never cold in Condo, always shot through with empathy and dark humour.
His major series include the Psychological Portraits, Broken Heads, Maniac Heads, and Cartoon Abstraction works from the 1980s onward, alongside the Galaxy Paintings and Abstract Expressionist Heads from his more recent campaigns.
Condo's printmaking practice encompasses etching (often with aquatint), lithography, screenprinting, and woodcut. Key print series include the Heads editions — ranging from intimate etchings to large-scale screenprints — Cartoon Heads with bold graphic line and flat colour, and Prints after Paintings that translate his major canvas compositions into the print medium. Works on paper (gouaches, watercolours, ink drawings) represent some of the most sought-after objects in his output, offering direct access to Condo's hand and revealing the graphic intelligence that underpins the painted practice.
In 2010, Condo created the cover artwork for Kanye West's My Beautiful Dark Twisted Fantasy — a commission that brought his visual language to a mass global audience and generated a new wave of collector interest among younger buyers. The cover introduced millions of people to the distortions and intensity that characterise his practice, in a lineage that connects directly to his early formation at Warhol's Factory and his friendships with Basquiat and Haring.
The market for George Condo art for sale has strengthened dramatically over the past decade. Big John (2006) achieved $9,100,000 at Sotheby's Hong Kong in 2023; Nude Forms (2010) reached $6,800,000 at Sotheby's New York in 2021. Major canvases consistently command seven-figure results. Edition prints have traded between $5,000 and $80,000 depending on size, edition, and condition — offering strong market access at every level. Significant works on paper have achieved $100,000–$500,000 at Christie's, Sotheby's, and Phillips.
Condo's work is held in permanent collections at MoMA, the Guggenheim, the Whitney Museum of American Art, Tate Modern, the Centre Pompidou, the Städel Museum Frankfurt, The Broad, MOCA Los Angeles, and SFMOMA.
Subject and series: Works from the Psychological Portraits, Broken Heads, and Maniac Heads series command the strongest market interest. The distorted face is Condo's core subject and his most commercially durable.
Medium: Unique paintings carry the strongest prices; significant works on paper offer the best combination of intimacy and accessibility; edition prints offer the most accessible entry points. Etchings — where Condo's hand is most directly present in the plate — are particularly valued by print collectors.
Edition size: Smaller editions, artist proofs, and unique variants within a print run carry significant premium over standard numbered impressions.
Provenance: Documented exhibition history and catalogue documentation strengthen value meaningfully for significant acquisitions.
Guy Hepner Gallery at 177 Tenth Avenue, New York offers a curated selection of George Condo prints for sale and unique works, from rare early etchings through recent major editions. We bring expert market knowledge, transparent pricing, and full provenance documentation to every transaction, and maintain active relationships with buyers worldwide seeking his most significant output.