
Paintings
51 works
Fanny Brodar has established herself as one of the most distinctive voices in contemporary American painting, creating works that transform everyday pleasures into vibrant declarations of joy. Based in New York, Brodar has developed a visual language that is immediately recognizable—bold, text-forward compositions that merge the accessibility of pop culture with the emotional directness of personal confession. Her paintings pulse with color and energy, inviting viewers into a world where a bagel

Fanny Brodar is a New York-based contemporary painter whose bold, text-forward canvases have established her as one of the most distinctive voices in the current American painting scene. Working in acrylic and oil stick on canvas, wood panel, and paper, Brodar creates vibrant, saturated compositions that celebrate everyday pleasures — food, romance, desire, delight — with a directness and visual energy that feels both artistically serious and genuinely joyful.
Brodar's paintings are characterised by their saturation, their graphic confidence, and the integration of handwritten text that is central to her practice. Her compositions build through accumulation: loose brushwork combining with deliberate graphic elements, saturated hues layered and juxtaposed to create maximum visual impact. The handwritten phrases that appear throughout her work — ranging from single words to longer declarations — transform her paintings into hybrid objects that operate as image, statement, and intimate communication simultaneously.
This textual dimension connects Brodar to a lineage of artists who have explored the relationship between word and image, from Cy Twombly's scrawled notations to Jean-Michel Basquiat's verbal eruptions, but her emotional register is distinctly her own: where others have deployed language for conceptual investigation or social critique, Brodar deploys it in service of feeling. Her phrases capture moments of longing, satisfaction, humour, and affirmation with an economy that rewards multiple readings.
Food appears throughout Brodar's work as a recurring subject — bagels, watermelon, candy, cake — treated not as trivial subject matter but as genuine repositories of emotional experience, memory, and pleasure. In her hands, a painted bagel carries the weight of New York identity, of morning rituals, of simple satisfactions. Her work on romance and desire is equally direct: she approaches declarations of feeling without the ironic deflection that much contemporary art imposes between artist and subject, treating emotional experience as legitimate territory for serious artistic investigation.
This insistence on joy as subject matter is Brodar's most significant artistic position. In a contemporary context that often privileges conceptual opacity and emotional distance, her commitment to pleasure and delight feels genuinely radical — not naive, but deliberate, and requiring considerable artistic courage.
Brodar works across a significant range of scales, from intimate wood panel works of approximately five by five inches — concentrated bursts of colour and sentiment that function almost as talismans — to large-scale canvases of sixty-five by sixty-five inches and beyond. This range serves collectors across different contexts and commitment levels, from intimate domestic settings to architecturally significant spaces.
Brodar has built a growing collector base attracted to the combination of visual impact, emotional directness, and genuine artistic sophistication in her work. She is represented by Guy Hepner in New York, where her works are available across her range of scales and subjects.
Guy Hepner represents Fanny Brodar and maintains a selection of available works from intimate panels to large-format canvases. Our New York gallery at 177 Tenth Avenue provides comprehensive collector support including condition information, provenance documentation, and installation consultation. Contact Guy Hepner to discuss available works and acquisition.
