
H20/sio2 Water Bags
4 works

Swedish Fish No 105, 2026
Glass Sculptures - Hot Sculpted, Sandblasted, Acid Etched
12 x 7 x 4.25"
Dylan Martinez has established himself as a leading figure in contemporary glass sculpture, earning recognition for his technically demanding practice that transforms familiar objects into meditative studies of form, color, and material presence. His work occupies a distinctive position at the intersection of craft tradition and conceptual art, appealing to collectors who value both virtuosic technique and conceptual rigor. Swedish Fish No 105 exemplifies Martinez's ongoing investigation into the cultural resonance of mass-produced confectionery, elevating the ubiquitous candy into an object of contemplation and desire. The work demonstrates the artist's command of multiple glass-working processes, combining hot sculpting with sandblasting and acid etching to achieve a surface quality that oscillates between translucence and opacity. At twelve inches in length, the sculpture possesses a physical presence that defies the disposable nature of its source material, while the rich chromatic depth achieved through the glass medium imbues the familiar form with an almost geological permanence. The sandblasted and acid-etched surfaces create subtle variations in texture and light absorption, lending the work a tactile quality that rewards sustained viewing and invites the observer to reconsider the relationship between consumption, desire, and artistic value. Martinez's glass works have demonstrated consistent appreciation among collectors drawn to his singular approach to Pop-influenced subject matter rendered through demanding traditional techniques. Swedish Fish No 105 represents an opportunity to acquire a significant example from this celebrated series at a moment of growing institutional and critical attention. Guy Hepner welcomes inquiries from collectors interested in acquiring this work or exploring additional pieces by Dylan Martinez.
Price on Application

The Swedish Fish Water Bags take everything Martinez does with his water bag sculptures and add one more thing to disbelieve. A plastic bag, filled with water, tied at the top and completely convincing in glass. Then, inside it, Swedish Fish candy. The forms sit at the bottom the way loose candy would if you'd actually dropped a handful in — red, suspended, and completely still.
Each piece is hot-sculpted, sandblasted, and acid-etched by hand, the same process Martinez developed for his original H2O/SiO2 water bags, the series that first brought him international attention and a place in collections including the Imagine Museum in St. Petersburg, Florida. That earlier body of work asked a single question: can glass convincingly pass for a water-filled plastic bag? Swedish Fish Water Bags adds a second layer. The bag alone is about illusion and material — the transparency, the trapped air, the slight give of a tied neck. The candy inside is about memory, the specific reddish translucency and soft-edged shape of something most people haven't thought about since childhood.
Getting both illusions to hold at once is more demanding than it looks. The candy has to read correctly through the "water," which itself has to read correctly as it would through real plastic, all while the piece is worked from solid, hot glass rather than assembled from separate elements. It is Martinez's most recent iteration of the water bag concept, presented as a numbered, ongoing series and shown in a dedicated viewing room at Square One Gallery, "Swedish Fish Water Bags — The Newest Iteration of the Water Bag Series."

Dylan Martinez is a contemporary glass artist based Washington State, USA. He holds a Master of Fine Arts in Glass from Ball State University in Muncie, Indiana, and a Bachelor of Science from the University of Wisconsin-River Falls, where he studied broad field science with a minor in outdoor education. His path to glass began as a college elective that quickly became a lifelong pursuit.
Martinez works entirely in hot glass, hand-sculpting each piece without molds or casting. His practice centers on perception and illusion, drawing on the technique of Trompe L'oeil to create works that challenge what the eye believes to be true. He is best known for his water bag sculptures, objects that are indistinguishable from plastic bags filled with water, made entirely from molten glass shaped between 650 and 1150 degrees. The work is animated by his own experience of red-green colorblindness, which has given him a lifelong interest in how perception shapes reality.
He has trained with master glassmakers across the United States and completed a residency with Venetian glass masters in Murano, Italy. His most recent series introduces color for the first time in years, with sculptural works referencing water balloons and Pac-Man imagery that signal a move toward pop art territory.
Martinez's work is held in the Imagine Museum in St. Petersburg, Florida and the Kelime Müzesi in Ankara, Turkey, among other public and private collections. He has exhibited across the US, Italy, France, Switzerland, the Netherlands, and Taiwan, and has been featured in Interior Design Magazine, American Craft Magazine, Elle Decoration, Aesthetica, and Colossal.