Guy Hepner Gallery

Bridget Riley Winged Curve For Sale

Bridget Riley
Bridget Riley - Winged Curve, 1966, Screen print
Signed and numbered in pencil

Winged Curve, 1966

Screen print Signed and numbered in pencil

14 5/8 x 16 1/8 in 37 x 41 cm

About this work

This 1966 screen print exemplifies Riley's mastery of optical art through its mesmerizing arrangement of undulating black and white lines. The composition creates an illusion of three-dimensional movement across the picture plane, with parallel curves that appear to swell and recede in a rhythmic wave pattern. The precision of the screen printing technique allows for crisp contrast and mathematical exactitude, resulting in a dynamic visual effect that seems to pulse and shimmer before the viewer's eyes. Created during Riley's most celebrated period, this work represents a pivotal moment in post-war British art when she was establishing international recognition for her groundbreaking approach to perception and movement. The piece demonstrates her systematic exploration of visual phenomena and remains highly sought after by collectors of Op Art and twentieth-century prints. As a signed and numbered edition, it offers an accessible entry point into Riley's influential practice. Available for purchase — enquire for price and availability.

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Edition & Provenance

Year
1966
Medium
Screen print Signed and numbered in pencil
Edition
Edition of 75 plus 10 AP
Winged Curve

About Bridget Riley

Bridget Riley

Life and Practice

Bridget Riley (b. 1931, Norwood, London) is one of the foremost figures in twentieth-century abstract painting, internationally celebrated as a pioneer of Op Art. Educated at Goldsmiths College and the Royal College of Art, Riley spent time teaching before dedicating herself fully to painting in the early 1960s. Her early work — strict geometric compositions in black and white that induce powerful perceptual effects of motion, vibration, and depth — established her as a key innovator in art's engagement with visual perception. Movement in Squares (1961) and Fall (1963) are among the most celebrated works of the period, and remain among the defining images of British postwar art.

Riley was awarded the International Prize for Painting at the 1968 Venice Biennale, cementing her international reputation. From the late 1960s, she began introducing colour into her work, working first with carefully limited Egyptian palettes and later a full range of hues, exploring stripe-based and diagonal compositions in which colour interaction becomes the primary subject. Her series including Orphean Elegy, The Seasons, and Rajasthan demonstrate the sustained rigour and beauty of this investigation. She continues to work from studios in London and Cornwall.

Two Distinct Periods

Riley's career divides into two widely recognised phases. Her black-and-white works of the early 1960s are the most immediately iconic: paintings that create genuine optical sensations in the viewer through geometric precision and perceptual ambiguity. From the late 1960s onward, her introduction of colour transformed her practice, producing works of extraordinary chromatic complexity that remain rooted in the same fundamental inquiry into how the eye perceives form and light.

Market Performance

Riley is one of Britain's most consistently collected living artists, with a robust secondary market anchored by major international auction houses. Her works regularly appear in Christie's, Sotheby's, and Bonhams sales, with significant paintings and prints achieving six-figure results. Riley's limited-edition prints — produced in close collaboration with respected publishers including Karsten Schubert and Waddington Custot — are particularly accessible entry points for new collectors, while her large-scale paintings command substantial premiums. Demand is strong across Europe, the United States, and Asia.

Museum Collections

Riley's work is held by the Tate (London), the Museum of Modern Art (New York), the British Council, the Arts Council of England, the Albright-Knox Art Gallery, the Kunstmuseum Basel, the National Gallery of Australia, and numerous other major institutions worldwide.

Buying/Selling with Guy Hepner

Guy Hepner works with collectors seeking authenticated Bridget Riley prints and works on paper. Contact us to discuss available inventory, estimated valuations, or consignment opportunities.
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