Guy Hepner Gallery

Bridget Riley Opening Up For Sale

Bridget Riley
Bridget Riley - Opening Up, 2024, Screen print in three colours plus white under print on Somerset Tub sized Satin Radiant...

Opening Up, 2024

Screen print in three colours plus white under print on Somerset Tub sized Satin Radiant White 410gsm paper Signed and numbered

63 3/4 x 115 1/2 in 161.8 x 293.4 cm

Edition

Edition of 75 + 25 APs

About this work

This expansive screen print presents Riley's characteristic exploration of optical phenomena through meticulously arranged vertical stripes in three vibrant colours with a white underprint. The composition creates a rhythmic visual field where colours appear to shimmer and undulate across the monumental surface, challenging static perception and generating a dynamic sense of movement. Executed on heavyweight Somerset paper, the work demonstrates exceptional technical precision in its registration and colour saturation, with each layer contributing to the overall luminous effect that has defined Riley's practice for over six decades. At nearly ten feet wide, this 2024 work represents a significant contemporary statement from one of Britain's most important living artists. Riley's continued investigation into colour relationships and perceptual experience remains as vital and relevant as her pioneering contributions to the Op Art movement of the 1960s. The combination of scale, technical mastery, and visual impact makes this a compelling acquisition for collectors of post-war British art and contemporary abstraction. Available for purchase — enquire for price and availability.

Price on Application

Auction History

Bridget Riley - Standing Up, Turning Round, Lying Down (Tommasini & Gubay 88; not in Schubert)

Standing Up, Turning Round, Lying Down (Tommasini & Gubay 88; not in Schubert) · Bridget Riley · Bonhams · 2025-06 · $17,579

More series by Bridget Riley

About the Opening Up Series

Bridget Riley's Opening Up series represents a pivotal evolution in the artist's distinguished career, showcasing her continued mastery of optical abstraction and perceptual dynamics. Created during a transformative period in her practice, these works demonstrate Riley's sophisticated exploration of colour interaction, spatial illusion, and visual rhythm—hallmarks that have secured her position as a leading figure in contemporary abstract art.

The Opening Up series marks a deliberate shift toward greater compositional freedom, with works featuring expansive colour fields and dynamic linear movements that challenge and captivate the viewer's eye. Riley's meticulous technique and profound understanding of colour theory create immersive visual experiences that reward sustained contemplation.

Collectors recognise Riley's work as significant cultural investments, with her pieces commanding strong market presence and institutional recognition. The Opening Up series exemplifies her enduring influence on abstraction and visual perception.

Explore available works from this series and enquire for current availability and pricing through our gallery.

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Opening Up

About Bridget Riley

Bridget Riley

Life and Practice

Bridget Riley (b. 1931, Norwood, London) is one of the foremost figures in twentieth-century abstract painting, internationally celebrated as a pioneer of Op Art. Educated at Goldsmiths College and the Royal College of Art, Riley spent time teaching before dedicating herself fully to painting in the early 1960s. Her early work — strict geometric compositions in black and white that induce powerful perceptual effects of motion, vibration, and depth — established her as a key innovator in art's engagement with visual perception. Movement in Squares (1961) and Fall (1963) are among the most celebrated works of the period, and remain among the defining images of British postwar art.

Riley was awarded the International Prize for Painting at the 1968 Venice Biennale, cementing her international reputation. From the late 1960s, she began introducing colour into her work, working first with carefully limited Egyptian palettes and later a full range of hues, exploring stripe-based and diagonal compositions in which colour interaction becomes the primary subject. Her series including Orphean Elegy, The Seasons, and Rajasthan demonstrate the sustained rigour and beauty of this investigation. She continues to work from studios in London and Cornwall.

Two Distinct Periods

Riley's career divides into two widely recognised phases. Her black-and-white works of the early 1960s are the most immediately iconic: paintings that create genuine optical sensations in the viewer through geometric precision and perceptual ambiguity. From the late 1960s onward, her introduction of colour transformed her practice, producing works of extraordinary chromatic complexity that remain rooted in the same fundamental inquiry into how the eye perceives form and light.

Market Performance

Riley is one of Britain's most consistently collected living artists, with a robust secondary market anchored by major international auction houses. Her works regularly appear in Christie's, Sotheby's, and Bonhams sales, with significant paintings and prints achieving six-figure results. Riley's limited-edition prints — produced in close collaboration with respected publishers including Karsten Schubert and Waddington Custot — are particularly accessible entry points for new collectors, while her large-scale paintings command substantial premiums. Demand is strong across Europe, the United States, and Asia.

Museum Collections

Riley's work is held by the Tate (London), the Museum of Modern Art (New York), the British Council, the Arts Council of England, the Albright-Knox Art Gallery, the Kunstmuseum Basel, the National Gallery of Australia, and numerous other major institutions worldwide.

Buying/Selling with Guy Hepner

Guy Hepner works with collectors seeking authenticated Bridget Riley prints and works on paper. Contact us to discuss available inventory, estimated valuations, or consignment opportunities.
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