
Arcadia
4 works

Composition With Circles 7, 2011
Screenprint
22 x 50 3/8 in 56 x 128 cm
Edition of 50
Bridget Riley's Composition with Circles series is a captivating exploration of shape and repetition, featuring arrangements of circles that create a hypnotic sense of rhythm and motion. By varying the size, spacing, and alignment of each circle, Riley introduces an optical vibrancy that draws viewers into a dynamic, almost pulsating experience. This series highlights her expertise in creating complex visual effects from simple geometric forms, inviting a deep engagement with the spatial relationships and subtle movements within each composition.
Price on Application

Composition with Circles 4 (Schubert 58) · Bridget Riley · Bonhams · 2023-10 · $0

Composition with Circles 5 · Bridget Riley · Bonhams · 2022-03 · $17,228

Bridget Riley's Composition with Circles series represents a pivotal exploration of geometric abstraction and optical dynamism. Created during a period of significant artistic innovation, these works showcase Riley's mastery of systematic composition, where precisely arranged circles generate visual movement and perceptual complexity. The series demonstrates her commitment to investigating color relationships and spatial harmony through rigorous mathematical principles combined with intuitive artistic vision.
Each work in the collection—from Composition with Circles 1 through 7—exhibits Riley's characteristic precision and her ability to create works that engage the viewer's eye and intellect simultaneously. The Composition with Circles series has established itself as a cornerstone of post-war abstract art, with strong collector demand reflecting both its aesthetic significance and cultural importance.
These seminal works exemplify why Riley's practice continues to influence contemporary artists and remains highly sought after by serious collectors. All works from this series are available for purchase. Enquire now to discuss acquisition options and current availability.

Riley was awarded the International Prize for Painting at the 1968 Venice Biennale, cementing her international reputation. From the late 1960s, she began introducing colour into her work, working first with carefully limited Egyptian palettes and later a full range of hues, exploring stripe-based and diagonal compositions in which colour interaction becomes the primary subject. Her series including Orphean Elegy, The Seasons, and Rajasthan demonstrate the sustained rigour and beauty of this investigation. She continues to work from studios in London and Cornwall.