
Flowers
13 works

Butterfly, 1985
Screenprint on Velin d'Arches paper
53 x 60.8 cm
Edition of 100
Yayoi Kusama's "Butterfly" (1982), a compelling screen print from her Fauna series, captivates with its vibrant depiction of the natural world. Through the precise medium of screen printing, Kusama renders the titular butterfly with a striking blend of boldness and intricate detail, characteristic of her iconic visual language. The composition likely features repeating elements and a dynamic use of color, inviting viewers into her unique perception of nature, repetition, and the boundless.
Price on Application

Butterfly (Ⅰ) · Yayoi Kusama · Seoul Auction · 2026-05 · $29,913

Butterfly (Kusama 119) · Yayoi Kusama · SBI Art Auction · 2026-01 · $27,567

Butterfly (I) · Yayoi Kusama · K Auction · 2025-09 · $25,185

Butterfly · Yayoi Kusama · Phillips · 2023-10 · $21,081

Butterfly · Yayoi Kusama · Bonhams · 2023-05 · $19,810

Yayoi Kusama's Fauna series represents a distinctive chapter within an auction career that has consistently commanded international attention. Kusama's market demonstrates sustained institutional confidence across her diverse thematic explorations. Guy Hepner has facilitated $561,250 in Yayoi Kusama transactions, establishing direct expertise in navigating collector demand for the artist's rarer series and print editions.
Within this recovering landscape, Kusama's position remains exceptional. Her status as the world's best-selling living female artist, reinforced through major retrospectives at Tate Modern, Centre Pompidou, the Whitney Museum, and the Museum of Modern Art, provides foundational support for all series within her catalogue. The Fauna series, while less frequently encountered at auction than her signature Infinity Nets or Pumpkin compositions, benefits from this broader institutional validation while offering collectors access to a more intimate dimension of Kusama's artistic vision.
The Fauna series emerges from Kusama's lifelong engagement with natural forms and biological imagery, themes that have permeated her practice since her earliest works in 1950s Japan. While her Infinity Rooms and polka-dot installations dominate public consciousness, Kusama's investigation of organic subjects reveals the philosophical depth underlying her more recognizable motifs. The Fauna works examine the tension between individual creatures and infinite repetition, applying her signature visual language to the animal kingdom with characteristic precision and psychological intensity.
Created during the late 1980s, this series coincides with Kusama's voluntary residency at Seiwa Hospital for the Mentally Ill in Tokyo, where she has lived and worked since 1977. This period produced some of her most contemplative graphic works, as the structured environment allowed sustained focus on printmaking and drawing alongside her sculptural and installation practice. The Fauna compositions demonstrate Kusama's ability to translate her obsessive patterning into naturalistic contexts, suggesting that her cosmic repetitions exist not only in abstract infinity but within the living world itself.
Dawn (1989) exemplifies the technical sophistication characterizing Kusama's screen print production during this productive decade. Screen printing, or serigraphy, allowed Kusama to achieve the precise registration and saturated color fields essential to her visual vocabulary while maintaining the controlled repetition central to her artistic philosophy. The medium's capacity for exact replication across editions mirrors the conceptual framework of infinite recurrence that defines her broader practice.
The 1989 date positions Dawn within a period when Kusama had fully reestablished her international reputation following her return to Japan from New York in 1973. Her graphic works from this era demonstrate refined technical control accumulated across four decades of practice, combining the spontaneous energy of her early Infinity Net drawings with the production values expected by an increasingly attentive collector base. Screen prints from this period typically feature Kusama's characteristic dot patterns integrated with figurative elements, creating visual tension between organic form and systematic abstraction.
Dawn (1989) presents viewers with Kusama's meditation on natural awakening filtered through her distinctive aesthetic framework. The work's title suggests temporal transition and emergence, themes resonating with Kusama's broader philosophical investigations into consciousness, existence, and the boundaries between self and environment. Within the Fauna series context, this screen print demonstrates how Kusama applied her signature visual strategies to naturalistic subject matter without compromising the psychological intensity characterizing her abstract compositions.
The limited edition format of Kusama's screen prints from this period ensures controlled supply against consistently expanding demand. As her Infinity Mirror Rooms continue touring internationally and her retrospective exhibitions break attendance records, collector interest extends across her complete catalogue. Works like Dawn offer entry points for collectors seeking authenticated Kusama pieces that demonstrate her range beyond the most frequently reproduced imagery.
Yayoi Kusama has built one of the most instantly recognisable bodies of work in contemporary art through her sustained investigation of pattern, repetition, and self-obliteration, developed across painting, sculpture, installation, and print media over more than seven decades. Her recurring motifs — polka dots, net patterns, and later the pumpkin — function as a personal visual vocabulary rooted in hallucinatory visual experiences she has described since childhood, transformed through disciplined repetition into a body of work of extraordinary scale and consistency.
Kusama's work is held in the permanent collections of major museums worldwide, and her Infinity Mirror Room installations have drawn record attendance at institutions internationally, establishing her as one of the most widely recognised and best-selling living artists.

Yayoi Kusama prints for sale at Guy Hepner Gallery in New York include Infinity Net editions, pumpkin screenprints, dot works, Flower Ball multiples, and the full range of her extraordinary print output — representing one of the most consistently in-demand bodies of work in the contemporary edition market. For collectors seeking Yayoi Kusama art for sale, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, authenticated works across all her major print series, and access to a market that has demonstrated exceptional sustained strength.
Yayoi Kusama (b. 1929, Matsumoto, Japan) is the highest-selling living female artist in the world and one of the most instantly recognisable visual presences in contemporary art — an artist whose dots, nets, pumpkins, and Infinity Mirror Rooms have achieved a cultural ubiquity that coexists, without diminishing, with the genuine psychological intensity from which her work emerged. Kusama began making art as a child as a means of processing the hallucinations she experienced — flowers speaking to her, the self dissolving into fields of pattern and repetition — and the therapeutic impetus has never separated itself from the formal achievement. The work is not illustration of pathology but its transformation into aesthetic proposition.
Kusama received traditional Japanese painting training before moving to New York in 1958, where she became a conspicuous and somewhat isolated figure in an avant-garde largely indifferent to her practice. Her Infinity Net paintings — monumental canvases covered in an unbroken weave of looping marks applied with obsessive labour — anticipated the Minimalist investigation of serial mark-making while remaining intensely personal, each loop a unit in an accumulation too vast to resolve into pattern.
The visual world Kusama has created across her long career rests on a small number of obsessively repeated motifs:
Kusama's auction record stands at $7,109,000 for Infinity Nets (TW) at Christie's, with multiple major Net canvases from the late 1950s and 1960s achieving $5,000,000+ at Sotheby's and Christie's. An Infinity Nets canvas from 1959 achieved $5,098,000 at Christie's in November 2021. She has held the record for the highest auction result achieved by a living female artist for many years. Her major paintings — particularly early Net works and large-scale Infinity environments — are held primarily in institutional collections or by committed long-term private collectors and rarely come to market.
Her print editions — featuring signature dot and pumpkin imagery — are among the most actively traded in the contemporary edition market, with strong global demand across price points. Kusama has worked with publishers in Japan and internationally to produce editions across all major print media: screenprints, lithographs, woodcuts, and etchings.
Print prices range from $8,000–$15,000 for smaller open-style editions through $50,000–$200,000+ for rare signed limited editions featuring pumpkins, infinity net patterns, or dot works in high demand colourways. Works produced in collaboration with Ota Fine Arts and other authorised publishers carry the strongest provenance.
Motif: Pumpkin works and infinity net prints consistently outperform generic dot compositions. Flower Ball works carry strong demand. Early net works on paper, if available, are among the rarest and most historically significant objects in her output.
Edition size and signature: Small-edition signed prints carry significant premium over open editions. Certificates of authenticity from Ota Fine Arts or the artist's studio are essential for any significant acquisition.
Colourway: Yellow and black pumpkin works (echoing her iconic Naoshima installation) carry premium. Red and white, gold, and silver colourways in dot and net works also command strong demand.
Condition: Kusama's prints are typically produced on quality substrates, but UV protection and stable storage are critical to long-term value preservation.
Provenance: Works with direct gallery provenance from Ota Fine Arts, Victoria Miro, or Zwirner hold value most reliably.
Kusama's work is held in permanent collections at MoMA, the Whitney Museum, Tate, the Centre Pompidou, the Guggenheim, the National Gallery of Victoria, the Hirshhorn Museum, and The Broad in Los Angeles. A landmark joint retrospective toured Tate Modern, the Centre Pompidou, the Whitney, and MoMA in 2012. She continues to produce work daily from her studio in Tokyo.
Guy Hepner offers authenticated Yayoi Kusama art for sale with full provenance documentation from our gallery at 177 Tenth Avenue, New York. We provide expert guidance on acquisition, free and confidential valuations for those wishing to sell, and access to a global network of collectors actively seeking her work across all media and price points. Whether you are seeking Yayoi Kusama prints for sale in a specific motif or colourway, or exploring her broader edition output, Guy Hepner is the right starting point.