Guy Hepner Gallery

Tom Wesselmann Seascape Dropout For Sale

Tom Wesselmann
Tom Wesselmann - Seascape Dropout, 1982, Woodcut on Kizuki Hanga wove paper

Seascape Dropout, 1982

Woodcut on Kizuki Hanga wove paper

21 7/8 x 25 in 55.6 x 63.5 cm

Edition

Edition of 50

About this work

*Seascape Dropout* (1982) is a woodcut on kizuki hanga wove paper by Tom Wesselmann, measuring 21 7/8 x 25 in 55.6 x 63.5 cm. Edition of 50. This work is part of Wesselmann's unique works — drawings, studies, and works on paper that reveal his working process and demonstrate the full range of his formal invention. Tom Wesselmann (1931–2004) was one of the defining figures of American Pop art, best known for his Great American Nude series and his laser-cut steel works. His prints and editions are held in the Museum of Modern Art, the Whitney Museum, the Tate Modern, and over 50 major institutions worldwide. Works across all series trade actively at Christie's, Sotheby's, and Phillips, with strong results confirming his enduring market position. Guy Hepner represents Tom Wesselmann editions and steel cuts from our New York gallery. Contact us for pricing, availability, and condition reports.

Price on Application

Auction History

Tom Wesselmann - Seascape Dropout

Seascape Dropout · Tom Wesselmann · Sotheby's · 2015-03 · $12,926

Tom Wesselmann - Seascape Dropout, 1982

Seascape Dropout, 1982 · Tom Wesselmann · Dorotheum · 2026-06 · $11,354

Tom Wesselmann - Seascape Dropout

Seascape Dropout · Tom Wesselmann · Bonhams · 2021-11 · $11,103

Tom Wesselmann - Seascape Dropout

Seascape Dropout · Tom Wesselmann · Bonhams · 2021-09 · $10,200

Tom Wesselmann - Seascape Dropout

Seascape Dropout · Tom Wesselmann · Sotheby's · 2022-10 · $8,820

More from this series

More series by Tom Wesselmann

Seascape Dropout

About Tom Wesselmann

Tom Wesselmann (1931–2004) is a key figure of American Pop Art, celebrated for his Great American Nude series and bold graphic paintings of lips, still lifes, and domestic interiors that blend the female figure with American consumer culture. His prints and paintings are actively traded in the secondary market and held by major collections worldwide.

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