
Blame Game
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Untitled (Garfield), 2020
Screenprint on paper
8 1/2 × 12 1/2 in | 21.6 × 31.8 cm
There is something quietly audacious about what KAWS does to an icon. Garfield belongs to KAWS' Outlines series — a body of work in which the artist takes the silhouette of a famous cartoon character and fills it not with its familiar colors, but with his own graphic vocabulary of bold, electric pattern. The result is a work that operates on two registers at once: instantly legible as Garfield, yet entirely remade as something new. While Garfield is conventionally rendered in orange, KAWS dispenses with the cartoon's distinguishing features entirely, filling the outline instead with bold purple, red, green, and blue — a composition that resonates across his wider graphic output. The die-cut edges, which follow the contour of the figure exactly, push the work further still, collapsing the boundary between print and object, image and thing. KAWS' lineage runs through Keith Haring and Jean-Michel Basquiat — artists who emerged from the New York graffiti subculture of the 1980s and forced the art world to reckon with the street. Like them, KAWS understands that popular culture is not beneath art's attention; it is the subject. In choosing Garfield — a figure born in 1978, saturated in American domestic life, synonymous with laziness and appetite and a certain deadpan humor — KAWS finds a vessel perfectly suited to his inquiry into what we love, what we consume, and what we can't quite let go of.

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