Bijou Gets Undressed
6 works
Julian Opie Walking in Melbourne For Sale
Julian Opie
Walking in Melbourne, 2018
Screenprint
13 3/4 x 13 3/4 in 35 x 35 cm
About this work
Walking in Melbourne (2018) is a screenprint by Julian Opie, measuring 13 3/4 x 13 3/4 inches (35 x 35 cm). The compact, square format concentrates Opie's signature walking figures — bold, simplified outlines striding across the picture plane — into a focused, gem-like composition that distills the essence of his Melbourne pedestrian studies into intimate printed form. The unusual square format creates a sense of balance in all directions, the figures moving through a space that feels simultaneously bounded and expansive. Where the larger laser-cut relief versions of the Melbourne walking series command the wall with their panoramic sweep, this screenprint offers a more contained and personal encounter with Opie's graphic world. The simplified silhouettes — differentiated by subtle variations in posture and implied gender — carry his characteristic visual economy: no faces, no unnecessary detail, only the essential geometry of a human body in forward motion. The restraint is both formal and philosophical, an insistence on the universal over the particular. Opie's practice has consistently engaged with the challenge of representing human movement through static media, and the Walking series represents one of his most sustained and successful responses to this challenge. Working in the tradition of the artist as urban observer, he translates the experience of watching people move through a city into an art that is at once analytical and deeply humanist. Walking in Melbourne is a refined and elegant expression of this ongoing inquiry.
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Edition & Provenance
- Year
- 2018
- Medium
- Screenprint
- Edition
- Unknown edition size
About Julian Opie
Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.