Guy Hepner Gallery

Julian Opie Street 5 For Sale

Julian Opie
Julian Opie - Street 5, 2020, Laser - cut museum board relief , presented in a sprayed white frame specified by the artist

Street 5, 2020

Laser - cut museum board relief , presented in a sprayed white frame specified by the artist

18 x 36 1/2 in (framed) 45.7 x 92.7 cm (framed)

About this work

Julian Opie's "Street Series" is a compelling body of work that captures the essence of urban life through his distinctively stylized lens. This series further cements Opie's reputation as an artist who skillfully bridges the gap between traditional subjects and contemporary digital techniques. Characterized by simplified forms, bold outlines, and vibrant colors, the "Street Series" reflects Opie's ongoing fascination with movement, routine, and the patterns of daily life in the city. The series typically features pedestrians, vehicles, and cityscapes, rendered in Opie's signature minimalist aesthetic. Drawing inspiration from his observations of city dwellers and the bustling environments they inhabit, Opie distills complex urban scenes into their most basic elements. This reductionist approach allows him to explore the rhythm and flow of urban spaces, highlighting the anonymous yet universal nature of city life. One of the defining aspects of the "Street Series" is its exploration of motion. Opie often depicts figures in mid-stride, capturing a sense of movement and immediacy that resonates with anyone familiar with the pace of city living. This focus on movement is not just a thematic choice but also a technical one, as Opie utilizes digital technology to break down video footage into sequences of images that are then simplified and stylized. This process results in compositions that feel both dynamic and timeless, offering snapshots of the urban experience that are relatable across different contexts. Opie's use of color in the "Street Series" is another key element. The artist employs flat, uniform blocks of color to fill in the outlines of his figures and backgrounds, creating scenes that pop with an almost graphic intensity. This use of color not only adds visual appeal but also helps to abstract the subjects further, stripping away individual characteristics to focus on the shared experience of urban life. The series also engages with the theme of anonymity and the individual's place within the urban landscape. By presenting his figures without distinguishing features, Opie invites viewers to project their own stories and experiences onto the subjects. This anonymity serves as a commentary on the isolating aspects of city life, where individuals can be surrounded by people yet remain disconnected. Moreover, the "Street Series" reflects Opie's interest in the intersection of art and technology. By leveraging digital tools to both capture and create his artworks, Opie challenges traditional notions of painting and sculpture. His work blurs the lines between fine art and digital media, suggesting new possibilities for representation and expression in the digital age. In summary, Julian Opie's "Street Series" offers a vibrant and insightful look at urban existence, characterized by its minimalist aesthetic, exploration of movement, and engagement with the themes of anonymity and technology. Through this series, Opie not only captures the essence of city life but also pushes the boundaries of how it can be represented, making a significant contribution to contemporary art.

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Edition & Provenance

Year
2020
Medium
Laser - cut museum board relief , presented in a sprayed white frame specified by the artist
Edition
Edition of 55
Street 5

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

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