Bijou Gets Undressed
6 works
Julian Opie Standing People (Red, Yellow, Black, White) For Sale
Julian Opie
Standing People (Red, Yellow, Black, White), 2019
Lenticular acrylic panels mounted onto white acrylic
46 17/20 × 43 7/10 × 1 13/50 in | 119 × 111 × 3.2 cm
About this work
Julian Opie has established himself as one of the most distinctive voices in contemporary British art, known for his reductive visual language that distills the human figure to its essential graphic elements. His work occupies a singular position at the intersection of fine art, public sculpture, and digital culture, with pieces held in major institutional collections including the Tate, the National Portrait Gallery, and the MoMA. Standing People (Red, Yellow, Black, White) from 2019 exemplifies Opie's continued exploration of the anonymous figure in motion, a subject that has defined much of his practice since the 1990s. The work employs lenticular technology to animate four silhouetted figures against bold color fields, creating the illusion of perpetual walking as the viewer moves past the surface. This interplay between stillness and movement, between the flat plane and implied depth, speaks to Opie's ongoing engagement with how we perceive and represent the human body in an increasingly mediated visual landscape. The mounting of lenticular acrylic onto white acrylic panels demonstrates the artist's characteristic precision and his interest in industrial materials that blur boundaries between art object and commercial signage. As an edition of 25, this work offers accessibility to Opie's practice while maintaining the collectibility that has driven consistent demand in both primary and secondary markets. The piece represents a mature articulation of themes Opie has refined over decades, rendered with the technical sophistication that collectors have come to expect from his output. For acquisition inquiries, please contact Guy Hepner.
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Edition & Provenance
- Year
- 2019
- Medium
- Lenticular acrylic panels mounted onto white acrylic
- Edition
- Edition of 25
About Julian Opie
Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.