Bijou Gets Undressed
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Julian Opie Sara Dancing in Sparkling Top For Sale
Julian Opie
Sara Dancing in Sparkling Top, 2008
Lenticular print
39 1/8 x 19 1/8 x 1 1/2 in 99.5 x 48.7 x 3.8 cm
About this work
Sara Dancing in Sparkling Top (2008) is a lenticular print by British artist Julian Opie, measuring 39 1/8 x 19 1/8 x 1 1/2 inches (99.5 x 48.7 x 3.8 cm), produced in a limited edition of 45. The lenticular format is intrinsic to the work's meaning: as the viewer moves before the surface, the image shifts and animates, the figure of Sara appearing to move through her dance. This technical quality transforms a static print into a kinetic experience, blurring the boundary between image and performance in a manner characteristic of Opie's inventive multimedia practice. Opie's depictions of figures in motion — dancers, walkers, runners — are among his most celebrated works. His refined visual language employs radical simplification: subjects are rendered as bold outlines with flat, unmodulated color, stripped of individuating facial detail to become archetypal human forms. Sara, dancing in her sparkling top, is at once a specific individual and a universal figure — a contemporary icon of movement and rhythm filtered through Opie's cool, systematic gaze. The monochromatic palette of the earlier digital iteration contrasts with the animation of the lenticular surface, heightening the sense of dynamic energy. The lenticular medium amplifies the dynamism inherent in Opie's subject matter, extending his practice from static representation into the temporal dimension. Sara Dancing in Sparkling Top sits within a broader body of work in which Opie has explored figure, motion, and the representation of human presence across an extraordinary range of media — from painting and print to LED animation, bronze sculpture, and public installation. This edition, with its elegant vertical format and engaging kinetic ingenuity, is among his most distinctive prints.
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Edition & Provenance
- Year
- 2008
- Medium
- Lenticular print
- Edition
- Edition of 45
About Julian Opie
Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.