Guy Hepner Gallery

Julian Opie Old Street August 12 For Sale

Julian Opie
Julian Opie - Old Street August 12, 2020, aluminium, nylon and lights

Old Street August 12, 2020

aluminium, nylon and lights

88 1/2 x 118 7/8 x 3 5/8 in 225 x 302 x 9.5 cm

About this work

This illuminated work captures a moment of urban observation from a distinctive London intersection. Opie employs his signature reductive visual language to depict figures moving through a contemporary streetscape, rendered in bold black lines against glowing white backgrounds. The aluminum construction houses integrated LED lighting that animates the composition, while layered nylon panels create subtle depth. His minimalist approach distills complex urban scenes into essential forms, where pedestrians become elegant silhouettes and architectural elements are suggested through geometric simplicity. The work exemplifies Opie's continued exploration of metropolitan life and human movement within built environments. Created during 2020, it reflects the artist's ongoing documentation of urban rhythm and social space during a transformative period. The substantial scale commands architectural presence while the luminous quality adds kinetic energy to any collection. Opie's work resides in major public and private collections worldwide, and this piece represents his mature integration of traditional portraiture with contemporary digital aesthetics and innovative materials. Available for purchase — enquire for price and availability.

Related Reading

Browse Series

Edition & Provenance

Year
2020
Medium
aluminium, nylon and lights
Old Street August 12

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

View all works →