
Bijou Gets Undressed
6 works

Men sprinters 3, 2024
Acrylic lenticular mounted onto white acrylic
77.3 x 120 x 3.4 cm
Julian Opie has established himself as one of the most distinctive voices in contemporary British art, known for his reductive visual language that distills the human figure into bold outlines and flat planes of color. His work occupies a singular position at the intersection of fine art, graphic design, and digital culture, with pieces held in major institutional collections including the Tate, the National Portrait Gallery, and MoMA. Opie's market presence remains robust, with consistent demand at auction and through primary channels reflecting sustained collector confidence in his practice. Men sprinters 3 (2024) exemplifies Opie's ongoing exploration of movement and the human body in motion. The work employs lenticular technology mounted onto white acrylic, creating an animated effect that brings his characteristic simplified figures to life as viewers shift their perspective. This technical approach allows Opie to investigate the dynamics of athletic exertion—a subject he has returned to repeatedly—while extending his formal vocabulary beyond static representation. The sprinters appear as archetypal forms, stripped of individual identity yet charged with kinetic energy, embodying Opie's interest in how we perceive and process visual information in an image-saturated world. Issued in an edition of 30 with 5 Artist Proofs, this work offers accessibility to Opie's practice while maintaining the collectibility that characterizes his editioned output. The generous scale at 77.3 x 120 cm allows the lenticular effect to function with full impact, rewarding extended viewing and physical engagement with the piece. For acquisition inquiries, please contact Guy Hepner, New York.
