Bijou Gets Undressed
6 works
Julian Opie Men sprinters 2 For Sale
Julian Opie
Men sprinters 2, 2024
Acrylic lenticular mounted onto white acrylic
77.3 x 120 x 3.4 cm
About this work
Julian Opie has established himself as one of the most distinctive figures in contemporary British art, known for his reductive visual language that distills the human form into bold outlines and flat planes of color. His work occupies a singular position between fine art, graphic design, and public imagery, drawing equally from classical portraiture, Japanese woodblock prints, and the universal language of signage. Represented in major institutional collections worldwide, including the Tate, MoMA, and the National Portrait Gallery, Opie's market presence reflects sustained international demand among serious collectors. Men sprinters 2 (2024) continues Opie's ongoing exploration of figures in motion, a subject that has preoccupied the artist across multiple bodies of work. The piece employs acrylic lenticular technology mounted onto white acrylic, creating an optical animation effect as the viewer's perspective shifts. This technique allows Opie to capture the kinetic energy of athletic movement within a static object, transforming the sprinters into something between documentation and abstraction. The runners become universal figures—simultaneously anonymous and instantly recognizable—their movement frozen and continuous at once. At 77.3 x 120 cm, the work commands presence while remaining suited to both residential and institutional settings. Issued in an edition of 30 with 5 Artist Proofs, this piece represents an accessible entry point into Opie's practice while maintaining the collectibility that limited editions afford. The lenticular works have proven particularly sought after, merging Opie's signature aesthetic with technological innovation that rewards extended viewing. For acquisition inquiries regarding Men sprinters 2, please contact Guy Hepner directly.
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Edition & Provenance
- Year
- 2024
- Medium
- Acrylic lenticular mounted onto white acrylic
- Edition
- Edition of 30 + 5 Artist Proofs
About Julian Opie
Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.