
Bijou Gets Undressed
6 works

Men sprinters 1, 2024
Acrylic lenticular mounted onto white acrylic
77.3 x 120 x 3.4 cm
Julian Opie has established himself as one of the most distinctive figures in contemporary British art, recognized internationally for his reductive visual language that distills human forms into bold, graphic essentials. His work occupies a singular position at the intersection of fine art, public installation, and digital media, with pieces held in major institutional collections including the Tate, the Museum of Modern Art, and the National Portrait Gallery. Opie's market presence remains robust, with consistent demand at auction and through primary channels reflecting sustained collector confidence in his practice. Men sprinters 1 (2024) exemplifies Opie's ongoing investigation into movement and the human figure, rendered here through his signature economy of line and flat planes of color. The lenticular surface introduces an optical kinetics that activates the composition, creating the illusion of motion as the viewer's perspective shifts—a technique Opie has refined over decades to animate otherwise static imagery. Mounted onto white acrylic, the work possesses a crisp materiality that enhances its graphic precision while asserting its presence as an object. This edition of 30, accompanied by 5 Artist Proofs, represents Opie's disciplined approach to editioning, maintaining scarcity while allowing broader access to his practice. The sprinters theme connects to his sustained interest in depicting figures in transit—walking, running, dancing—where anonymity and universality converge. Each subject is simultaneously specific and archetypal, stripped of identifying detail yet unmistakably human in gesture and momentum. Guy Hepner invites collectors interested in acquiring Men sprinters 1 to contact the gallery directly for availability and pricing.
