Bijou Gets Undressed
6 works
Julian Opie Men sprinters 1 For Sale
Julian Opie
Men sprinters 1, 2024
Acrylic lenticular mounted onto white acrylic
77.3 x 120 x 3.4 cm
About this work
Julian Opie has established himself as one of the most distinctive figures in contemporary British art, recognized internationally for his reductive visual language that distills human forms into bold, graphic essentials. His work occupies a singular position at the intersection of fine art, public installation, and digital media, with pieces held in major institutional collections including the Tate, the Museum of Modern Art, and the National Portrait Gallery. Opie's market presence remains robust, with consistent demand at auction and through primary channels reflecting sustained collector confidence in his practice. Men sprinters 1 (2024) exemplifies Opie's ongoing investigation into movement and the human figure, rendered here through his signature economy of line and flat planes of color. The lenticular surface introduces an optical kinetics that activates the composition, creating the illusion of motion as the viewer's perspective shifts—a technique Opie has refined over decades to animate otherwise static imagery. Mounted onto white acrylic, the work possesses a crisp materiality that enhances its graphic precision while asserting its presence as an object. This edition of 30, accompanied by 5 Artist Proofs, represents Opie's disciplined approach to editioning, maintaining scarcity while allowing broader access to his practice. The sprinters theme connects to his sustained interest in depicting figures in transit—walking, running, dancing—where anonymity and universality converge. Each subject is simultaneously specific and archetypal, stripped of identifying detail yet unmistakably human in gesture and momentum. Guy Hepner invites collectors interested in acquiring Men sprinters 1 to contact the gallery directly for availability and pricing.
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Edition & Provenance
- Year
- 2024
- Medium
- Acrylic lenticular mounted onto white acrylic
- Edition
- Edition of 30 + 5 Artist Proofs
About Julian Opie
Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.