Guy Hepner Gallery

Julian Opie Sidewalk 2 For Sale

Julian Opie
Julian Opie - Sidewalk 2, 2022, Screen print on two sheets of acrylic, presented in a brushed aluminium

Sidewalk 2, 2022

Screen print on two sheets of acrylic, presented in a brushed aluminium

Framed: 102.0 x 163.0 x 8.0 cm Framed 40 1/8 x 64 1/8 x 3 1/8 in (Frame specified by the artist)

Edition

Edition of 40

About this work

This work presents Opie's characteristic distillation of urban observation into bold graphic form. The composition depicts pedestrians traversing a sidewalk, rendered in the artist's signature reductive style where figures become elegant silhouettes defined by minimal linear contours and flat planes of color. Executed as a screen print on dual acrylic sheets and housed in brushed aluminum framing specified by the artist himself, the layered construction creates subtle depth while maintaining the crisp, digital aesthetic that defines Opie's practice. The interplay between the translucent acrylic layers and reflective frame enhances the work's dimensional qualities. Opie's ability to transform everyday scenes into timeless contemporary icons has established him as one of Britain's most collectible living artists. This substantial large-scale work exemplifies his investigation into perception, movement, and modern visual language, bridging fine art and popular culture with effortless sophistication. The artist-specified framing ensures the work's presentation meets Opie's exacting standards, offering collectors a museum-quality piece ready for immediate display. Available for purchase — enquire for price and availability.

Price on Application

Auction History

Julian Opie - Sidewalk 2

Sidewalk 2 · Julian Opie · Christie's · 2025-04 · $24,521

Related Reading

More series by Julian Opie

Sidewalk 2

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

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