
Basketball
10 works

Untitled Plant and Vase Drawing, 2015
Ink on paper, framed
9 x 6 3/8 inches" paper size, framed 12.25 x 9”
Jonas Wood has established himself as one of the most consequential American painters of his generation, known for flattening pictorial space while maintaining an intimate connection to his domestic subjects. His works reside in the permanent collections of the Museum of Modern Art, the Solomon R. Guggenheim Museum, and the Broad, among numerous institutions worldwide. Wood's market presence has grown steadily since his emergence in the mid-2000s, with collectors responding to his distinctive synthesis of pattern, color, and everyday observation. This unique 2015 ink on paper drawing belongs to Wood's ongoing exploration of plants and vessels, a subject that has occupied a central position in his practice. Where his large-scale paintings build complexity through layered color fields and intricate botanical forms, his works on paper reveal the underlying architecture of his vision—the confident, economical line work that structures even his most elaborate compositions. The intimate scale of this piece, measuring just nine by six and three-eighths inches, offers an unmediated view of Wood's draftsmanship, each mark deliberate yet fluid. Drawings from this period are increasingly sought after as collectors recognize them not as preparatory studies but as resolved works in their own right. The piece is signed and dated on the verso, confirming its place within the artist's authenticated body of work. Presented framed and ready for installation, this unique work represents an accessible entry point into Wood's practice while retaining the visual intelligence that defines his contribution to contemporary art. For acquisition inquiries, please contact Guy Hepner.


Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.