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Jonas Wood Three Clippings (White) (Set Of Three) For Sale
Jonas Wood
Three Clippings (White) (Set Of Three), 2018
Mixografia prints on handmade paper
40 x 29 in 101.6 x 73.7 cm 40 x 32 in 101.6 x 81.3 cm 40 x 34 in 101.6 x 86.4 cm
About this work
Jonas Wood, renowned for his vibrant and dynamic artworks, continually pushes the boundaries of traditional painting techniques. Among his diverse body of work, his clipping prints stand out as a striking fusion of painting and collage, offering viewers a unique visual experience that blurs the lines between two-dimensional art forms. In this article, we delve into the captivating world of Jonas Wood's clipping prints, exploring their origins, techniques, and the artistic vision behind them.Born out of Wood's fascination with found imagery and the visual language of collage, clipping prints represent a departure from his more traditional painting methods. Inspired by the eclectic mix of imagery found in newspapers, magazines, and other printed materials, Wood began experimenting with incorporating these elements into his artworks, giving rise to the clipping print series.Each clipping print serves as a curated assemblage of images, textures, and colors sourced from various printed sources. From vintage advertisements to botanical illustrations, the imagery reflects a diverse array of cultural references and personal associations, offering viewers a glimpse into Wood's visual universe.At the heart of Wood's clipping prints lies a meticulous process that combines digital manipulation with traditional printmaking techniques. Wood carefully selects and arranges the visual elements, scanning and digitally manipulating them to achieve the desired composition. Once satisfied with the arrangement, the composition is transferred onto a printing plate using a variety of methods, such as silkscreen or lithography.The printing process allows Wood to reproduce the collage-like quality of the original composition, capturing the texture and depth of the layered imagery. Each print is a testament to Wood's technical prowess and his ability to seamlessly integrate digital and analog techniques to create visually arresting artworks.Beyond their technical intricacies, Jonas Wood's clipping prints invite viewers to contemplate the relationship between image and context, reality and representation. By juxtaposing disparate visual elements within a single composition, Wood challenges conventional notions of narrative and meaning, encouraging viewers to find their own interpretations within the layers of imagery.Themes of memory, nostalgia, and the passage of time often permeate Wood's clipping prints, as he draws upon personal memories and cultural references to create evocative visual narratives. Whether depicting a bustling cityscape or a serene landscape, each print captures a moment frozen in time, inviting viewers to embark on a journey of discovery and introspection.Jonas Wood's clipping prints have garnered acclaim for their innovative approach to image-making and their ability to transcend traditional artistic boundaries. As testaments to Wood's creative vision and technical prowess, these prints continue to captivate audiences around the world, sparking dialogue and contemplation about the nature of representation and visual storytelling.In an age saturated with digital imagery and mass media, Wood's clipping prints offer a refreshing alternative, celebrating the tactile and tactile nature of printed materials while pushing the limits of contemporary printmaking practices. With each new series, Wood reaffirms his status as a leading figure in the realm of contemporary art, inspiring future generations of artists to explore the boundless possibilities of image and imagination.
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Edition & Provenance
- Year
- 2018
- Medium
- Mixografia prints on handmade paper
- Edition
- Edition of 5
About Jonas Wood
Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.