Guy Hepner Gallery

Jonas Wood Notepad Doodle 3 (State II) For Sale

Jonas Wood
Jonas Wood - Notepad Doodle 3 (State II), 2018, Printed on cream Rives BFK paper

Notepad Doodle 3 (State II), 2018

Printed on cream Rives BFK paper

16 x 11 in 40.6 x 27.9 cm

About this work

This lithograph captures the spontaneous energy of a casual sketch, featuring densely layered doodles and gestural marks across cream-colored paper. Wood transforms the humble notepad into a compelling composition, where overlapping lines, abstract forms, and intuitive scribbles create a dynamic visual field. The printed medium faithfully reproduces the immediacy of hand-drawn marks, with varying line weights and organic shapes that suggest the artist's stream of consciousness. The work balances controlled printmaking technique with the appearance of carefree improvisation. Wood's notepad series has become highly sought after among collectors for its intimate glimpse into the artist's creative process. This second state reflects Wood's practice of revisiting and refining imagery, demonstrating his commitment to exploring variations within a single concept. The work exemplifies his broader interest in pattern, repetition, and the intersection of high and low cultural references, while remaining accessible and visually engaging at a more intimate scale than his celebrated large-format paintings. Available for purchase — enquire for price and availability.

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Edition & Provenance

Year
2018
Medium
Printed on cream Rives BFK paper
Edition
Edition of 20
Notepad Doodle 3 (State II)

About Jonas Wood

Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.

Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.

Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.

Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.

Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.

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