
Basketball
10 works

Four Majors, 2018
Multicolor screen print on coventry rag
19 x 13 in each48.3 x 33 cm each
Jonas Wood, known for his vibrant and dynamic approach to contemporary art, has captured the essence of tennis culture with his distinctive series of tennis-themed artworks and the Four Majors print series. Through his unique visual language, Wood celebrates the athleticism, excitement, and iconic venues of the tennis world, inviting viewers into a colorful and immersive experience.Wood's fascination with tennis stems from both personal and artistic interests. As a tennis player himself, he brings an insider's perspective to his depictions of the sport, infusing his artworks with a deep understanding of its rhythms, aesthetics, and traditions. At the same time, Wood's artistic sensibility allows him to deconstruct and recontextualize familiar tennis motifs, transforming them into dynamic compositions that blur the lines between representation and abstraction.Wood's tennis-themed artworks offer a kaleidoscopic exploration of the sport, featuring bold colors, geometric patterns, and expressive brushwork. His compositions often depict players in action, capturing the intensity and athleticism of competitive tennis. Whether it's a close-up of a player mid-serve or a panoramic view of a tennis court, Wood's artworks pulsate with energy and movement, inviting viewers to immerse themselves in the world of tennis.Moreover, Wood's tennis art extends beyond the players themselves to encompass the iconic venues and landmarks associated with the sport. From the sun-drenched courts of Wimbledon to the bustling atmosphere of the US Open, Wood's paintings evoke the unique ambiance of each tournament, transporting viewers to the heart of the action.Central to Wood's exploration of tennis is his Four Majors print series, which pays homage to the four Grand Slam tournaments: the Australian Open, the French Open, Wimbledon, and the US Open. Each print in the series captures the essence of its respective tournament, combining iconic imagery with Wood's signature visual style.For example, the Australian Open print may feature the vibrant colors of Melbourne Park and the lush greenery of the surrounding landscape, while the French Open print might evoke the clay courts of Roland Garros with earthy tones and abstract shapes. Meanwhile, the Wimbledon print may showcase the hallowed lawns of the All England Club, bathed in warm sunlight and dotted with spectators.Collectively, the Four Majors prints offer a comprehensive portrait of the global tennis landscape, celebrating the diversity and tradition of the sport while showcasing Wood's versatility as an artist.Jonas Wood's tennis art and Four Majors print series encapsulate the intersection of athleticism, aesthetics, and cultural significance inherent in the sport of tennis. Through his vibrant and dynamic artworks, Wood invites viewers to experience the excitement and energy of tennis in a fresh and compelling way. Whether capturing the grace of a player in motion or the iconic settings of tennis's most prestigious tournaments, Wood's art serves as a testament to the enduring appeal of tennis as both a sport and a source of artistic inspiration.


Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.