
Basketball
10 works

Five Bonsais, 2024
Japanese Ukiyo-e style woodcuts
24 3/4 x 22 in each62.9 x 55.9 cm each
One of Jonas Wood's popular motifs is bonsai trees, which he explores through prints, paintings, and collages. His bonsai prints stand out for their vivid, graphic quality, blending elements of abstraction with realism. Wood's bonsai trees are not traditional, delicate representations; instead, they are bold and dynamic, featuring flattened perspectives and exaggerated proportions.These prints often show bonsai trees in brightly colored pots, set against rich, patterned backdrops. The interplay of geometric shapes and organic forms creates a striking visual contrast, emphasizing Wood's unique aesthetic approach. His use of color is playful and bold, with greens, blues, and pinks often dominating the compositions. This stylized representation of bonsai trees gives the works a surreal, almost dreamlike quality, while maintaining the recognizable features of the bonsai tradition.Wood’s bonsai prints can be seen as an exploration of domestic space and nature, capturing the serene beauty of these miniature trees while reinterpreting them through a contemporary lens. His work offers a fresh, modern take on a classical subject, appealing to both art collectors and plant enthusiasts.


Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.