
Gazing Balls
17 works

Donkey, 1999
Lithograph
35 x 27 in 88.9 x 68.6 cm
Edition of 99
Jeff Koons’s prints and multiples extend his larger artistic vision into accessible, collectible formats, bringing his themes of consumerism, beauty, and cultural reflection to a broader audience. These works often echo the imagery found in his sculptures—balloon animals, inflatable toys, classical figures, and iconic pop references—rendered in vibrant colors with pristine production quality. Whether through lithographs, silkscreens, or sculptural editions, Koons’s multiples retain the polished aesthetic and conceptual depth of his large-scale works. They reflect his fascination with mass production and the blurred boundaries between fine art and popular culture.By producing multiples, Koons not only democratizes access to his art but also reinforces his challenge to traditional hierarchies in the art world. These editions are meticulously fabricated, often with the help of specialized workshops, and are designed to maintain the same visual impact as his monumental sculptures. Their presence in both major collections and private homes speaks to Koons’s unique ability to combine artistic ambition with market appeal. In essence, his prints and multiples distill the essence of his practice—visually seductive, technically precise, and conceptually provocative—into a more intimate and approachable format.
Price on Application

DONKEY · Jeff Koons · Sotheby's · 2008-02 · $46,276

Donkey (Colored) · Jeff Koons · Phillips · 2019-06 · $3,816

Donkey · Jeff Koons · Sotheby's · 2008-05 · $3,438

Donkey · Jeff Koons · Christie's · 2007-02 · $2,640


Jeff Koons
Antiquity (Ariadne Titian Bacchus Popcorn)
2019

Jeff Koons
Antiquity (Manet)
2019

Jeff Koons
Antiquity (Uli)
2019

Jeff Koons
Antiquity 1
2019

Jeff Koons
Antiquity 3
2019

Jeff Koons
Cut Out
2000

Jeff Koons
Dolphin Saddle
2009

Jeff Koons
Fun
1998

Jeff Koons
Girl with Lobster
2009

Jeff Koons
Luxury and Degradation
1986

Jeff Koons
Mirror Inflatables Set of 7
1995

Jeff Koons
Monkey Train
2007

Jeff Koons
Monkey Train (Dots)
2007

Jeff Koons
Monkey Train (Supreme)
2006

Jeff Koons
Pink Bow (Celebration Series)
2013

Jeff Koons
Untitled (Antiquity Drawing)
2012

Jeff Koons
Untitled (Girl With Dolphin And Monkey)
2006

Jeff Koons
Waterfall
2008
Jeff Koons stands as the highest-selling living American artist at auction, with his iconic Rabbit (1986) achieving $91.1 million at Christie's in May 2019—a record that continues to define contemporary art market benchmarks. His Balloon Dog (Orange) realized $58.4 million at Christie's in 2013, establishing unprecedented valuations for sculpture by a living artist. Guy Hepner has facilitated $1,363,999 in Jeff Koons transactions, positioning our New York gallery as a primary source for collectors seeking authenticated works from this transformative artist's editions and multiples.
The prints and multiples market represents a strategic entry point into Koons's celebrated oeuvre. As the Art Basel & UBS Global Art Market Report 2025 documented global market activity at $57.5 billion in 2024, with the 2026 report confirming the market's return to growth in 2025, collector interest in accessible editions by blue-chip artists has intensified. Koons's multiples—bridging his monumental sculptural vision with collectible formats—offer institutional-quality works at acquisition levels significantly below his primary market sculptures, which regularly command eight-figure prices through Gagosian representation.
Jeff Koons's prints and multiples extend the conceptual frameworks that define his major series—Celebration, Antiquity, and Banality—into editions that maintain the visual impact and philosophical depth of his museum-scale installations. Born in 1955, Koons emerged in the 1980s alongside artists who interrogated consumerism, desire, and the boundaries between high art and popular culture. His multiples are not reproductions but rather autonomous works that translate his signature aesthetic—pristine surfaces, loaded imagery, and a meditation on beauty and kitsch—into collectible formats.
The Antiquity series, prominently represented in this collection, demonstrates Koons's ongoing dialogue with art historical precedent. Works like Antiquity (Manet) engage directly with canonical masterpieces, filtering them through contemporary production methods while employing luxurious materials that reference both classical craftsmanship and modern excess. These pieces continue Koons's Gazing Ball investigations, where reflective surfaces invited viewers into visual conversations spanning centuries of artistic achievement.
Koons's multiples are distinguished by exceptional production values that mirror the fabrication standards of his monumental works. The technical diversity within this series reflects his mastery across media:
Archival Pigment Prints with Foil Enhancement: Works including Antiquity (Manet) (2019), Antiquity 3 (2019), and Antiquity 1 (2019) employ archival pigment printing on Innova rag paper with foil embellishment. This combination delivers museum-grade longevity while the metallic foil elements introduce the reflective qualities central to Koons's visual vocabulary—recalling the mirrored surfaces of his Gazing Ball sculptures and stainless steel Celebration pieces.
Chromogenic Crystal Archive Prints: Untitled (Girl With Dolphin And Monkey) (2006) utilizes crystal archive processing, producing exceptional color saturation and archival stability that ensures preservation across generations.
Mixed Media Multiples: Paddle Ball Game (2000), executed in painted wood, plastic, metal, and string, represents Koons's sculptural editions—functional objects elevated to art status through meticulous fabrication and conceptual framing. This work achieved SGD 6,217 at auction in January 2014, establishing secondary market precedent.
Silkscreen and Inkjet Combinations: Girl with Lobster (2009) combines archival pigmented inkjet with silkscreen on hot pressed natural paper, while Monkey Train (Dots) (2007) employs pure silkscreen technique. These hybrid approaches demonstrate Koons's commitment to pushing printmaking boundaries.
Antiquity Series (2019): The trio of Antiquity (Manet), Antiquity 1, and Antiquity 3 represents Koons's most recent extended engagement with art historical appropriation in print format. These works hold particular significance for collectors building comprehensive Koons holdings, as they connect directly to his ongoing Antiquity paintings and sculptures exhibited internationally.
Girl with Lobster (2009): This archival inkjet with silkscreen exemplifies Koons's Popeye series imagery—surreal juxtapositions that have achieved strong institutional recognition. The combination of whimsical subject matter and rigorous technique makes this edition highly sought among discerning collectors.
Monkey Train (Dots) (2007): From the Hulk Elvis series, this silkscreen demonstrates Koons's engagement with childhood imagery and consumer nostalgia. The graphic intensity and pop sensibility make it a representative example of his broader artistic mission.
Untitled (Antiquity Drawing) (2012): The foil-stamped print offers an intimate connection to Koons's drawing practice, providing insight into his creative process at an accessible acquisition level.
Koons's prints and multiples occupy a distinctive market position characterized by strong fundamentals. His primary market dominance—maintained through exclusive Gagosian representation—creates sustained demand pressure across all available inventory categories. As major sculptures become increasingly scarce and command prices exceeding $50 million, sophisticated collectors recognize editions as strategic portfolio components offering direct exposure to one of contemporary art's most bankable names.
The auction record of SGD 6,217 for Paddle Ball Game (2000) in 2014 predates significant appreciation across Koons's market. Subsequent years have witnessed exponential growth in his sculptural valuations, with corresponding uplift in edition demand. Christie's, Sotheby's, Phillips, and Bonhams regularly feature Koons multiples in contemporary sales, confirming consistent institutional confidence.
Guy Hepner in New York offers collectors direct access to authenticated Jeff Koons prints and multiples with comprehensive provenance documentation. Our $1,363,999 transaction history with Koons works demonstrates established market expertise and trusted collector relationships. Each acquisition includes detailed condition reporting, certificate verification, and professional art advisory services tailored to individual collection strategies.
For collectors seeking entry into a market-defining artist's oeuvre, these editions represent exceptional opportunities combining visual impact, technical excellence, and investment merit. Contact Guy Hepner to discuss available inventory and acquisition timing.

Jeff Koons prints for sale at Guy Hepner Gallery in New York include editions from his Celebration series, Banality works, and Balloon Dog imagery — as well as unique works on paper and rare multiples from across his career. For collectors seeking Jeff Koons art for sale, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, full provenance documentation, and access to authenticated Koons works across the full range of his edition and print output.
Jeff Koons (b. 1955, York, Pennsylvania) is one of the defining and most provocative figures of American art since the 1980s — an artist whose monumental, technically flawless works challenge the line between high art and popular culture, between desire and kitsch, between critique and celebration. Koons studied at the Maryland Institute College of Art in Baltimore and at the School of the Art Institute of Chicago, before spending several years as a commodities broker on Wall Street — an experience that deepened his understanding of markets, desire, and the mechanics of perceived value. He began exhibiting in the early 1980s with The New series, placing mass-market vacuum cleaners in illuminated Plexiglas vitrines and presenting consumer goods as pristine, unreachable objects of desire.
His 1986 Statuary series — stainless steel sculptures cast from inflatable toys and novelty objects, their surfaces mirror-polished to an unearthly perfection — established the visual language that would define his career. The Rabbit, a stainless steel casting of an inflatable Easter bunny, is among the most discussed and reproduced sculptures in contemporary art.
Koons' career unfolds across a series of distinct campaigns, each representing a major conceptual and technical project:
Koons holds one of the most remarkable market records in contemporary art. Rabbit (1986) set a record of $91,075,000 at Christie's in May 2019 — at the time the highest price ever achieved at auction for a living artist. Balloon Dog (Orange) achieved $58,405,000 at Christie's in November 2013. Major Celebration series works consistently command eight-figure results. His prints and edition multiples — produced in partnership with leading publishers and offered in tightly limited editions — are among the most actively traded in the contemporary market, offering collectors access to his visual language at more accessible price points.
Edition prints featuring Balloon Dog, Celebration, and Banality imagery have traded between $15,000 and $200,000 at auction, depending on edition size, subject, condition, and provenance. Works on paper and unique studies are increasingly sought as collectors engage with the full range of his practice beyond the monumental sculptures.
Series: Celebration series prints and Balloon Dog imagery carry the strongest market demand and most consistent auction performance. Banality works have strong historical significance. Prints related to the Gazing Ball series are increasingly valued for their engagement with art history.
Edition size: Koons produces tightly limited editions; smaller runs and artist proofs command significant premium. Original publisher documentation and certificates of authenticity are essential.
Condition: Koons' prints are typically produced on premium substrates with archival inks; works maintained in UV-protected framing with stable storage hold value most reliably.
Provenance: Gallery provenance from Gagosian, Zwirner, or other authorised dealers strengthens value. Exhibition history and reproduction in major catalogues is a further value indicator.
Authenticity: Works should be authenticated through the Koons studio and supported by original publisher documentation. The technical specifications of Koons' prints are precisely documented, allowing for detailed verification.
Koons' work is held at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, MoMA, Tate Modern, The Broad in Los Angeles, and the Palace of Versailles, which hosted a landmark exhibition of his work in 2008. His Bouquet of Tulips sculpture was installed outside the Palais de Tokyo in Paris in 2019. Each institutional acquisition confirms his canonical position in contemporary art history and the enduring institutional demand for his work.
Guy Hepner has extensive experience placing Jeff Koons art for sale with collectors worldwide. Our gallery at 177 Tenth Avenue, New York brings particular strength to his prints, editions, and multiples, offering expert guidance on acquisition, valuation, and collection strategy. We bring transparent pricing, full provenance documentation, and direct access to the secondary market for Koons works at every price level.
Whether you are seeking Jeff Koons prints for sale in a specific series, a unique work on paper, or a major Celebration series multiple, Guy Hepner provides the authentication assurance, market expertise, and collector connections to support every acquisition. We offer free, confidential valuations for those looking to sell Koons works, and maintain active relationships with buyers at every level of the Koons market.