Guy Hepner Gallery

James McQueen Oh Bollocks 1/1 For Sale

James McQueen
James McQueen - Oh Bollocks 1/1, Mixed-media acrylic, spray paint, ink and silkscreen on fine art paper

Oh Bollocks 1/1

Mixed-media acrylic, spray paint, ink and silkscreen on fine art paper

66 × 99 cm

About this work

Oh Bollocks is a one-of-a-kind mixed-media work on fine art paper (66 × 99 cm) in which James McQueen applies his characteristic layered technique — acrylic, spray paint, ink, and silkscreen — to one of the great all-purpose expressions of the British vernacular. In its most common usage the phrase communicates disbelief, exasperation, or resigned defeat; isolated on paper and rendered through a painterly, process-rich approach, it becomes something at once comic and curiously poignant. McQueen's technical process reflects the emotional quality of the phrase itself. Spray paint introduces a sense of urgency and flux, ink provides gestural directness, and the silkscreen brings typographic weight to the word. Fine art paper anchors the work within the tradition of the artist's print, even as the 1/1 designation confirms its uniqueness. The interplay of these elements produces a surface that feels both impulsive and made — evidence of a practised hand channelling an immediate reaction. The work sits comfortably within McQueen's larger body of language-based art, which has attracted a devoted international following. His practice invites viewers and collectors to find meaning and craft in the phrases that define everyday experience — and to recognise that the most honest statements are often the most artistically potent. Oh Bollocks is a confident, characteristically forthright example of his approach.

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Medium
Mixed-media acrylic, spray paint, ink and silkscreen on fine art paper
Oh Bollocks 1/1

About James McQueen

James McQueen Paintings for Sale | Guy Hepner, New York

James McQueen is a British artist born in 1977 whose paintings sit at the intersection of Pop sensibility, material obsession, and dry British wit. He works under a pseudonym, and his identity is secondary to the work — which is the point. What matters is what ends up on the canvas.

McQueen's paintings are built, not simply applied. He works in layers — paint over paint, colour over colour — then sands the surface back to expose what lies beneath, then seals it in lacquer. The result is a depth that photographs struggle to capture. These are surfaces you need to stand in front of.

His subject matter has ranged from reinterpreted Penguin paperback covers to politically charged commentary to the large-scale mixed-media Anthology works now available through Guy Hepner. Across all of it runs a consistent preoccupation: the visual language of mass culture, rendered monumental and unfamiliar by the seriousness of the craft brought to bear on it.

McQueen has shown extensively in London and is represented in significant private collections internationally.

Guy Hepner | 177 Tenth Avenue, New York

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