Paintings
12 works

My Castle My Rules
Mixed-media on paper
95 × 125 cm
My Castle My Rules is a mixed-media work on paper measuring 95 × 125 cm, in which James McQueen takes a phrase of domestic sovereignty and domestic humour — the claim of absolute authority within one's own home — and renders it as art. The phrase carries a warmth and familiarity that is entirely characteristic of McQueen's practice: these are the words people actually speak, the declarations they make with a mixture of genuine conviction and self-aware comedy. McQueen's mixed-media approach on paper builds a surface of considerable tactile interest — layered, worked, and evidently made with care. The choice of paper as ground gives the work an intimacy and immediacy appropriate to a phrase about the private domain, the home as the space where one's own rules apply. At 95 × 125 cm, the work is substantial enough to command a wall while remaining within the scale of something personal and owned. My Castle My Rules joins a distinguished body of McQueen works that find their subject matter in the phrases by which people assert themselves — with humour, with pride, and with the particular combination of sincerity and irony that marks the best of his practice. This work speaks directly to anyone who has ever retreated to the domestic space as a place of refuge, rule-setting, and self-determination — which is to say, to everyone.


James McQueen is a British artist born in 1977 whose paintings sit at the intersection of Pop sensibility, material obsession, and dry British wit. He works under a pseudonym, and his identity is secondary to the work — which is the point. What matters is what ends up on the canvas.
McQueen's paintings are built, not simply applied. He works in layers — paint over paint, colour over colour — then sands the surface back to expose what lies beneath, then seals it in lacquer. The result is a depth that photographs struggle to capture. These are surfaces you need to stand in front of.
His subject matter has ranged from reinterpreted Penguin paperback covers to politically charged commentary to the large-scale mixed-media Anthology works now available through Guy Hepner. Across all of it runs a consistent preoccupation: the visual language of mass culture, rendered monumental and unfamiliar by the seriousness of the craft brought to bear on it.
McQueen has shown extensively in London and is represented in significant private collections internationally.
Guy Hepner | 177 Tenth Avenue, New York