
Paintings
75 works

Sexy, Goodlookin, Fine, 2025
Oil on canvas
60 x 48 in 152.4 x 121.9 cm
Eric Stefanski's "Sexy, Goodlookin, Fine" presents three words stacked vertically across the canvas, each term a fragment of casual admiration rendered in the artist's characteristic hand-painted typography. The oil medium marks a notable material shift in Stefanski's practice, lending the surface a luminosity and depth that acrylic cannot achieve—the words seem to hover with an almost physical weight, their edges softened by the slower drying time that allows for subtle blending and reworking. The phrase itself reads like an overheard compliment, a catcall, or a private affirmation spoken to a mirror. Stefanski isolates language we encounter in passing—on streets, in texts, muttered under breath—and fixes it permanently, forcing viewers to sit with words typically designed to vanish. There is humor here, but also an undercurrent of vulnerability. Who speaks these words, and to whom? The title functions simultaneously as flattery, objectification, and self-encouragement, its meaning unstable and dependent entirely on context the viewer must supply. At 60 by 48 inches, the scale commands presence, transforming throwaway language into monumental statement. Stefanski's brushwork remains visible throughout, reminding us that these are not printed words but painted ones—each letter a deliberate gesture, a record of the hand's movement across surface. The work continues his ongoing investigation into how language carries emotional residue, how words accumulate feeling through repetition and context until they become almost tactile. For acquisition inquiries regarding "Sexy, Goodlookin, Fine," please contact Guy Hepner gallery in New York.


Eric Stefanski is a Chicago based artist known for large scale abstract paintings that incorporate bold, handwritten text. He studied at the School of the Art Institute of Chicago and earned his MFA from the School of the Museum of Fine Arts, Boston, in 2015.
Stefanski's work merges expressive mark making with direct, often humorous or self-deprecating phrases, using language as a way into larger themes around vulnerability, failure, and the pressures of maintaining a creative practice. His large-scale canvases favor vibrant color and bold lettering, with text functioning less as slogan and more as fragments of internal dialogue, blending humor with genuine emotional weight. Through this approach, Stefanski examines what it means to sustain a life as a working artist, treating uncertainty and contradiction as part of the process rather than something to resolve.
His work has been shown extensively in Chicago and Boston, along with solo exhibitions in cities including Tokyo and Madrid, and has continued to expand into galleries and institutions internationally.
He continues to live and work in Chicago.
Guy Hepner works with collectors seeking Eric Stefanski's bold, text-driven abstract paintings. Contact us to discuss available inventory or to inquire about upcoming releases.