
Paintings
75 works

I'm Starting To Think I'm The Problem, 2023
Charcoal on heavyweight paper
11 x 14 in 27.9 x 35.5 cm
Eric Stefanski's "I'm Starting To Think I'm The Problem" renders a moment of uncomfortable self-awareness in stark charcoal on heavyweight paper. The phrase sprawls across the surface with the artist's characteristic hand-lettered urgency, each word carrying the weight of reluctant admission. The charcoal medium—a departure from Stefanski's typical acrylic on canvas—lends the work a rawness that feels confessional, the smudged graphite edges suggesting thoughts that have been turned over repeatedly, worn soft by anxious repetition. The composition confronts viewers with text that functions simultaneously as image and utterance, collapsing the distance between seeing and reading. Stefanski treats language as emotional residue, and here that residue is particularly intimate: the dawning recognition that one's own patterns might be the source of recurring difficulty. There is dark humor embedded in the phrasing—that tentative "starting to think" hedging against full accountability—yet the overall register lands somewhere between wry self-deprecation and genuine vulnerability. Within Stefanski's broader practice, this work exemplifies his ability to transform interior monologue into visual experience. His paintings capture the specific texture of contemporary self-talk, the way we narrate our failures to ourselves in phrases that hover between therapy-speak and meme culture. The intimate scale of this piece amplifies its confessional quality, demanding close viewing and quiet recognition. For inquiries regarding acquisition of "I'm Starting To Think I'm The Problem," please contact Guy Hepner gallery in New York.


Eric Stefanski is a Chicago based artist known for large scale abstract paintings that incorporate bold, handwritten text. He studied at the School of the Art Institute of Chicago and earned his MFA from the School of the Museum of Fine Arts, Boston, in 2015.
Stefanski's work merges expressive mark making with direct, often humorous or self-deprecating phrases, using language as a way into larger themes around vulnerability, failure, and the pressures of maintaining a creative practice. His large-scale canvases favor vibrant color and bold lettering, with text functioning less as slogan and more as fragments of internal dialogue, blending humor with genuine emotional weight. Through this approach, Stefanski examines what it means to sustain a life as a working artist, treating uncertainty and contradiction as part of the process rather than something to resolve.
His work has been shown extensively in Chicago and Boston, along with solo exhibitions in cities including Tokyo and Madrid, and has continued to expand into galleries and institutions internationally.
He continues to live and work in Chicago.
Guy Hepner works with collectors seeking Eric Stefanski's bold, text-driven abstract paintings. Contact us to discuss available inventory or to inquire about upcoming releases.