Playing Cards
22 works
Feeling Gotta Catch Em All, 2026
Mixed Media Playing Card on Wooden Backed Canvas | Signed
12 x 16 In
Elmo Hood has established a distinctive presence in the contemporary art market through works that interrogate the cultural currency of nostalgia and collectibility. Operating at the intersection of street art sensibilities and pop culture archaeology, Hood transforms familiar objects into meditations on value, memory, and the commodification of childhood experience. Feeling Gotta Catch Em All presents a mixed media composition incorporating playing card elements mounted on wooden backed canvas. The work draws from the visual lexicon of trading card culture, a phenomenon that has itself become a significant force in contemporary collecting markets. Hood's treatment elevates the source material beyond mere appropriation, instead examining how mass-produced objects acquire emotional and monetary worth through collective memory and scarcity. The dimensional quality created by the wooden backing adds physicality to what might otherwise read as flat graphic imagery, asserting the work's presence as a tangible art object rather than ephemeral printed matter. The artist's signature confirms authenticity and marks this as a verified work within Hood's evolving practice. At twelve by sixteen inches, the scale maintains an intimate relationship with the viewer, appropriate for subject matter rooted in personal recollection and the private rituals of collecting. Hood's work speaks to a generation now entering its prime collecting years, audiences who recognise the Pokémon reference embedded in the title and understand intrinsically the emotional weight such imagery carries. This demographic shift continues to reshape contemporary art markets in meaningful ways. Guy Hepner invites collectors to acquire this work and participate in an ongoing conversation about what we choose to value and preserve.
$5,160
Elmo Hood is a self-taught contemporary artist working at the intersection of pop art and mixed media. Born in 1989 in Southampton, England, he now lives and works in Brisbane, Australia.
Hood's career began in 2013 with a single collage made from two playing cards. The piece went viral, leading to a string of international exhibitions and a growing collector base that has followed his work ever since. Those early card pieces set the template for what would become his signature process: cutting, burning, and reassembling found materials to build emotionally charged compositions.
Today his work fuses pop art sensibility with layered mixed media technique. Playing cards remain central to his practice, their existing color and imagery repurposed into new palettes, while darker tones anchor the outlines and shading of each piece. Kings and queens recur throughout his output, alongside recurring nods to philosophy, religion, and the paranormal, giving the work a mythic, symbol-driven undercurrent beneath its pop surface.
Hood's work has been featured in British GQ, Forbes, Glamour, Wall Street International, and Made in Shoreditch, among other publications. He has exhibited across London, Paris, New York, Miami, Ibiza, Bahrain, and Munich, with pieces auctioned at the Houses of Parliament. His exhibition history includes solo shows such as Down the Rabbit Hole at Westbank Gallery, London, and House of Cards in Miami, alongside group exhibitions in New York and at the Bahrain Art Fair.