
Blues and Silvers
9 works

Black Lemon on White
Silkscreen
39 x 39 cm
Edition of 40, signed
Donald Sultan's *Black Lemon on White* presents a singular, commanding form that arrests the viewer with its stark simplicity. The lemon, rendered in deep, velvety black, sits against an unadorned white ground, its familiar shape transformed into something at once recognizable and strangely monumental. The silkscreen medium captures the density and weight characteristic of Sultan's larger industrial works, translating his signature aesthetic into an intimate yet powerful graphic statement. The monochromatic palette creates an almost confrontational tension between figure and ground. Without color to soften or seduce, the eye is drawn entirely to form, contour, and the subtle modulation of the black surface. There is a quietude here, but also an undeniable presence — the lemon becomes less a piece of fruit than an icon, a meditation on shape stripped to its essence. This work exemplifies Sultan's decades-long commitment to elevating the ordinary into the realm of the sublime. His lemons, like his tulips and poppies, are not mere still life subjects but explorations of mass, silhouette, and the surprising gravitas that emerges when humble objects are isolated and enlarged. Sultan bridges the industrial and the organic, finding poetry in materials and subjects that others might overlook. In *Black Lemon on White*, this philosophy distills into graphic purity — proof that monumentality need not depend on scale alone. This signed edition of 40, published by Maune Contemporary, is available for acquisition through Guy Hepner, New York.
Price on Application

Sultan's lemon works have achieved strong results at auction across multiple colourways. Black Lemon on Yellow and Yellow Lemon on Black have both achieved US$12,500. Eight Whites has realised US$10,802.
The lemon is one of the great subjects of Western still life painting — from Chardin to Manet, a motif laden with centuries of art historical resonance. Sultan approaches it with the same combination of formal directness and material weight he brings to his botanical subjects.
His lemon works are among the most formally spare in his print production: the fruit rendered as near-geometric form against fields of contrasting colour, the tar-inflected surface giving each work an unusual density and physical presence. The series is particularly prized by collectors who respond to Sultan's more reductive mode.

Donald Sultan occupies a distinctive position in the American prints and editions market: an artist of the first rank whose secondary market has delivered consistent returns for collectors across four decades, with a depth of auction activity that demonstrates genuine global demand. His works have traded at Christie's, Sotheby's, Phillips, Bonhams, and specialist print sales worldwide, with a price range that reflects the breadth of his edition production.
Recent auction highlights demonstrate the strength across his series: Blues and Blacks has achieved US$24,308. The Double Poppies series — available in Aqua, Blue, Green, Red, Yellow, and White — regularly trades in the US$12,000–13,000 range per colour at auction. Black Lemon on Yellow and Yellow Lemon on Black have both achieved US$12,500. The Lantern Flowers, Feb 18 series has traded at US$12,112. The Little Lantern Flowers (Portfolio of 8) has achieved US$15,240. Seven Blues realised US$15,360. White Tulips and Vase, April 4 achieved US$15,300.
These results confirm Sultan as a reliable performer in the contemporary prints market — an artist whose editions are accessible at multiple price points while maintaining consistent secondary market support.
Guy Hepner represents Donald Sultan editions from our New York gallery, with direct access to works across all major series. Contact us for current availability, pricing, and condition reports.
Donald Sultan (b. 1951, Asheville, North Carolina) is an American painter and printmaker whose practice fuses industrial materials and processes with the timeless subjects of still life — flowers, lemons, eggs, dominoes — to produce works of extraordinary physical and emotional weight. He studied at the University of North Carolina at Chapel Hill and the School of the Art Institute of Chicago, before settling in New York in the mid-1970s, where he became a central figure in the revival of painting that challenged the dominance of Conceptual art and Minimalism.
Sultan's paintings are made on a support of vinyl floor tiles rather than conventional canvas, and he applies tar, spackle, and oil paint in a process that produces surfaces of remarkable depth and complexity. This industrial process — borrowed from the trades rather than from art-making tradition — gives his works their characteristic physicality: forms that are at once gestural and architectural, surfaces that carry the history of their making with unusual directness.
His subjects are drawn from the most traditional vocabulary of Western still life — flowers, fruit, playing cards, garden implements — but rendered at a scale and with a material presence that transforms them. A poppy painted at 96 × 96 inches in black tar and oil is not a botanical study; it is an event. Sultan's work asks what these familiar images — so worn by repetition as to be nearly invisible — look like when confronted at full scale and full weight.
Sultan has lived and worked in New York for over four decades. His paintings and prints are held in major museum collections worldwide, and his market has remained consistently active across economic cycles.
Poppies — Sultan's most celebrated series: monumental poppies executed in lush blacks, reds, blues, and greens that carry his characteristic combination of formal power and symbolic weight. Available in single, double, and portfolio formats across multiple colourways.
Wall Poppies — Larger, more architecturally scaled poppy works that extend the formal range of the Poppies series.
Lantern Flowers — Pendant blooms rendered with the same economy he brings to his poppies, demonstrating the full range of his botanical vocabulary in a more delicate register.
Blues and Silvers — A cooler, more nocturnal palette applied to his floral imagery, giving these works a distinctive atmosphere.
Lemons — Still life studies of lemons — one of the great subjects of Western still life painting — rendered at Sultan's characteristic scale and with his industrial process, creating works of unexpected formal power.
Other Flowers — Works outside the major series that demonstrate the breadth of his botanical interests.
Donald Sultan's work is held in the permanent collections of the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; the Museum of Contemporary Art, Los Angeles; and numerous other institutions in the United States and internationally.
Guy Hepner has been a New York dealer of Donald Sultan editions for many years, with direct access to works across all major series. We maintain inventory in depth and can source specific colourways and formats on request. For those looking to sell, we provide discreet evaluation and access to our global collector network. Contact our New York gallery for pricing, availability, and condition reports.