Guy Hepner Gallery

Daniel Arsham Radio Future Relic 08 For Sale

Daniel Arsham
Daniel Arsham - Radio Future Relic 08, 2017, White plaster and glass fragments

Radio Future Relic 08, 2017

White plaster and glass fragments

7 7/8 x 15 3/4 x 4 3/4 in 20 x 40 x 12 cm

About this work

Daniel Arsham's "Future Relic Radio" is a captivating piece that explores the intersection of past, present, and future through the lens of technology. In this artwork, Arsham transforms the familiar radio into a futuristic artifact, imbuing it with his signature aesthetic of erosion and distortion. The once-functional device now appears weathered and aged, as if it has been unearthed from a distant era. Through this manipulation of form and material, Arsham prompts viewers to contemplate the fleeting nature of human creations and the relentless march of time. The "Future Relic Radio" serves as a poignant reminder of the impermanence of technology and the inevitable obsolescence of once-cutting-edge devices. Yet, amidst the decay, there is a sense of nostalgia for the bygone era of analog communication, evoking memories of a simpler time before the digital revolution. Arsham's creation invites us to reflect on the cyclical nature of innovation and the enduring power of human imagination.

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Edition & Provenance

Year
2017
Medium
White plaster and glass fragments
Edition
Edition of 500
Radio Future Relic 08

About Daniel Arsham

Daniel Arsham

Market Performance

Daniel Arsham commands one of the most enthusiastic collector bases in contemporary art, with primary market releases frequently selling out within minutes and works achieving significant premiums in the secondary market. His fictional archaeologies — eroded sculptures of familiar cultural objects — are sought globally, with strong auction results at Phillips, Christie's, and Sotheby's. His collaborations with brands including Adidas, Dior, Porsche, and Pokémon have expanded his cultural reach while maintaining his artistic identity. Limited-edition prints and small-scale sculptures offer entry points into his practice, while large unique works and site-specific installations command substantial six-figure valuations.

Life and Practice

Born in 1980 in Cleveland, Ohio, Daniel Arsham studied architecture at the Cooper Union in New York, where his interest in the relationship between time, objects, and material crystallized. He co-founded the multidisciplinary design studio Snarkitecture with Alex Mustonen and has built a prolific studio practice encompassing sculpture, architecture, performance, and film. His signature aesthetic — objects and figures partially consumed by geological erosion — imagines a future archaeology of the present. Cars, telephones, cameras, sneakers, and cultural icons are cast in minerals including selenite, quartz, pyrite, and volcanic ash, appearing as though excavated from some impossible ruin.

Series Overview

Arsham's major bodies of work include his Fictional Archaeology series, in which everyday objects are rendered in crystal, selenite, and volcanic ash as if centuries old. His Eroded series applies this treatment to art historical references and cultural icons. His Future Relics editions — collaborative releases with specific brands — have become some of the most coveted objects in contemporary collecting. More recently, his Hourglass series and large-scale architectural interventions have expanded his formal range.

Museum Collections

Arsham's work is held in significant institutional and private collections internationally, including the High Museum of Art in Atlanta. He has produced major public installations and has been featured at major international art fairs including Art Basel and Frieze.

Buying/Selling with Guy Hepner

Guy Hepner sources and places Daniel Arsham works including prints, editions, and unique sculptures. Contact us to discuss acquisition or consignment.
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