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Daniel Arsham 35 mm Camera Future Relic 02 For Sale

Daniel Arsham
Daniel Arsham - 35 mm Camera Future Relic 02, 2014, Plaster and broken glass

35 mm Camera Future Relic 02, 2014

Plaster and broken glass

5 3/4 x 6 1/4 x 3 3/4 in 14.6 x 15.9 x 9.5 cm

About this work

Daniel Arsham's "Future Relic 35mm Camera" is a thought-provoking piece that reimagines the classic 35mm camera as a relic from a speculative future. Arsham, known for his unique reinterpretations of everyday objects, infuses the camera with his signature aesthetic, which often involves erosion, distortion, and a sense of temporal displacement.In this artwork, the 35mm camera—a symbol of photography, creativity, and personal expression—is transformed into an enigmatic artifact, evoking a sense of mystery and nostalgia. Arsham's manipulation of form and material gives the camera a weathered, fossilized appearance, as if it has been unearthed from the depths of time.Through this reinterpretation, Arsham prompts viewers to reconsider their relationship with photography and the ways in which technology shapes our memories and experiences. The "Future Relic 35mm Camera" serves as a reminder of the rapid evolution of photographic technology and the transient nature of human creations.Yet, amidst the decay, there is a sense of nostalgia for the tactile experience of using a 35mm camera and the creative possibilities it offers in capturing moments. Arsham's creation invites us to reflect on the ways in which photography influences our perceptions of time and memory, and the enduring significance of preserving moments in our lives.

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Edition & Provenance

Year
2014
Medium
Plaster and broken glass
Edition
Edition of 450
35 mm Camera Future Relic 02

About Daniel Arsham

Daniel Arsham

Market Performance

Daniel Arsham commands one of the most enthusiastic collector bases in contemporary art, with primary market releases frequently selling out within minutes and works achieving significant premiums in the secondary market. His fictional archaeologies — eroded sculptures of familiar cultural objects — are sought globally, with strong auction results at Phillips, Christie's, and Sotheby's. His collaborations with brands including Adidas, Dior, Porsche, and Pokémon have expanded his cultural reach while maintaining his artistic identity. Limited-edition prints and small-scale sculptures offer entry points into his practice, while large unique works and site-specific installations command substantial six-figure valuations.

Life and Practice

Born in 1980 in Cleveland, Ohio, Daniel Arsham studied architecture at the Cooper Union in New York, where his interest in the relationship between time, objects, and material crystallized. He co-founded the multidisciplinary design studio Snarkitecture with Alex Mustonen and has built a prolific studio practice encompassing sculpture, architecture, performance, and film. His signature aesthetic — objects and figures partially consumed by geological erosion — imagines a future archaeology of the present. Cars, telephones, cameras, sneakers, and cultural icons are cast in minerals including selenite, quartz, pyrite, and volcanic ash, appearing as though excavated from some impossible ruin.

Series Overview

Arsham's major bodies of work include his Fictional Archaeology series, in which everyday objects are rendered in crystal, selenite, and volcanic ash as if centuries old. His Eroded series applies this treatment to art historical references and cultural icons. His Future Relics editions — collaborative releases with specific brands — have become some of the most coveted objects in contemporary collecting. More recently, his Hourglass series and large-scale architectural interventions have expanded his formal range.

Museum Collections

Arsham's work is held in significant institutional and private collections internationally, including the High Museum of Art in Atlanta. He has produced major public installations and has been featured at major international art fairs including Art Basel and Frieze.

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