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    Andy Warhol, Onion Soup F.S. II 47, 1968

    Andy Warhol

    Onion Soup F.S. II 47, 1968
    Screen print
    35 x 23 in
    88.9 x 58.4 cm
    Edition of 250 plus 26 lettered AP
    Series: Campbell's Soup I
    Copyright The Artist
    View on a Wall
    Andy Warhol's Onion Soup Can, a signed screen print from his Campbell's Soup Can print portfolio, encapsulates his revolutionary approach to art and consumer culture. Created in 1968, this print...
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    Andy Warhol's Onion Soup Can, a signed screen print from his Campbell's Soup Can print portfolio, encapsulates his revolutionary approach to art and consumer culture. Created in 1968, this print is part of Warhol's exploration of the iconic Campbell's Soup Can motif, which became one of the most recognizable symbols of Pop art.
    Warhol's Onion Soup Can print follows the same format as his earlier Campbell's Soup Can series, featuring a single soup can depicted frontally against a plain background. However, in this instance, the label on the can reads "Onion Soup," diverging from the more conventional flavors depicted in his earlier works. This deviation highlights Warhol's playful manipulation of familiar objects and his ability to imbue them with new meaning and significance.
    Like other works in his Campbell's Soup Can portfolio, Warhol's Onion Soup Can print is characterized by its bold colors, crisp lines, and flat, graphic style. The use of silk-screening allowed Warhol to achieve a uniformity and repetition that mirrored the mass production of consumer goods, further emphasizing his fascination with the commodification of art and everyday objects.
    One notable aspect of the Onion Soup Can print, as with other prints in the series, is Warhol's decision to sign each print. By affixing his signature to these works, Warhol added a layer of authenticity and value, while also challenging traditional notions of authorship and originality. This act underscores Warhol's interest in blurring the boundaries between art and commerce, as well as his recognition of the power of branding and celebrity in the art world.
    Warhol's Onion Soup Can print is not only a reflection of his own artistic vision but also a commentary on the culture of consumption and mass production that defined American society in the mid-20th century. By elevating a seemingly mundane object to the status of high art, Warhol forced viewers to confront their own assumptions about value, taste, and the nature of art itself.
    Today, Warhol's Onion Soup Can print remains an iconic symbol of his artistic legacy and his enduring impact on contemporary art and culture. Its vibrant colors, bold design, and subversive wit continue to captivate viewers, inviting them to reconsider the boundaries between the ordinary and the extraordinary, the mundane and the sublime.
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    Related artworks
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    • Roy Lichtenstein, Two Nudes (C. 284) , 1994
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    • Roy Lichtenstein, Crying Girl (C. II 1), 1963
      Roy Lichtenstein, Crying Girl (C. II 1), 1963
    • Roy Lichtenstein, Reverie (C. 38), 1965
      Roy Lichtenstein, Reverie (C. 38), 1965

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