
Andy Warhol
Campbell's Soup II F.S. II 54 - 63, 1969
The complete portfolio of 10 screen prints on paper
35 x 23 in (each)
88.9 x 58.4 cm (each)
88.9 x 58.4 cm (each)
Edition of 250 plus 26 AP lettered A - Z
Series: Campbell’s Soup II
Copyright The Artist
Andy Warhol's Campbell's Soup Can II series of signed screen prints from 1969 is a quintessential example of his iconic Pop art style and his fascination with mass-produced consumer goods....
Andy Warhol's Campbell's Soup Can II series of signed screen prints from 1969 is a quintessential example of his iconic Pop art style and his fascination with mass-produced consumer goods. Building upon his groundbreaking Campbell's Soup Cans series from 1962, which featured thirty-two canvases, each depicting a different flavor of Campbell's Soup, the Campbell's Soup Can II series is a refined exploration of Warhol's fascination with repetition, consumerism, and the blurring of high and low culture.
In this series, Warhol revisits the Campbell's Soup can motif, but with a subtle twist. While the 1962 series celebrated the banality of everyday objects by depicting them in a stark, repetitive manner, the 1969 series adds an additional layer of complexity through the use of color and abstraction. The cans in Campbell's Soup Can II are rendered in vibrant hues, deviating from the original red, white, and black color scheme of the 1962 series. This departure from reality adds a surreal quality to the works, inviting viewers to question the nature of representation and perception.
Each screen print in the series is meticulously crafted, showcasing Warhol's mastery of the silk-screening process. The prints are characterized by crisp lines, bold colors, and a sense of flatness that is emblematic of Warhol's aesthetic. By employing the silk-screening technique, Warhol was able to mass-produce these images, further underscoring his fascination with the commodification of art and consumer goods.
One notable aspect of the Campbell's Soup Can II series is Warhol's decision to sign each print, marking a departure from his earlier works, which often eschewed traditional notions of authorship and originality. By signing these prints, Warhol imbues them with a sense of authenticity and value, while simultaneously challenging the notion of what constitutes a unique work of art.
The Campbell's Soup Can II series is a testament to Warhol's enduring influence on contemporary art and culture. By elevating the mundane to the realm of high art, Warhol challenged conventional notions of beauty, value, and taste, paving the way for future generations of artists to explore the intersection of art and commerce. Today, these prints remain iconic symbols of Warhol's artistic vision and his ongoing exploration of the relationship between art and consumer culture.
In this series, Warhol revisits the Campbell's Soup can motif, but with a subtle twist. While the 1962 series celebrated the banality of everyday objects by depicting them in a stark, repetitive manner, the 1969 series adds an additional layer of complexity through the use of color and abstraction. The cans in Campbell's Soup Can II are rendered in vibrant hues, deviating from the original red, white, and black color scheme of the 1962 series. This departure from reality adds a surreal quality to the works, inviting viewers to question the nature of representation and perception.
Each screen print in the series is meticulously crafted, showcasing Warhol's mastery of the silk-screening process. The prints are characterized by crisp lines, bold colors, and a sense of flatness that is emblematic of Warhol's aesthetic. By employing the silk-screening technique, Warhol was able to mass-produce these images, further underscoring his fascination with the commodification of art and consumer goods.
One notable aspect of the Campbell's Soup Can II series is Warhol's decision to sign each print, marking a departure from his earlier works, which often eschewed traditional notions of authorship and originality. By signing these prints, Warhol imbues them with a sense of authenticity and value, while simultaneously challenging the notion of what constitutes a unique work of art.
The Campbell's Soup Can II series is a testament to Warhol's enduring influence on contemporary art and culture. By elevating the mundane to the realm of high art, Warhol challenged conventional notions of beauty, value, and taste, paving the way for future generations of artists to explore the intersection of art and commerce. Today, these prints remain iconic symbols of Warhol's artistic vision and his ongoing exploration of the relationship between art and consumer culture.
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Related artworks
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Andy Warhol, Beef Soup F.S. II 49 , 1968
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Andy Warhol, Black Bean Soup F.S. II 44, 1968
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Andy Warhol, Campbell's Soup Can Tomato Soup, 1985
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Andy Warhol, Campbell's Soup I F.S. II 44 - 53, 1968
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Andy Warhol, Vegetarian Vegetable Soup F.S. II 56, 1969
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Andy Warhol, Cream of Mushroom Soup F.S. II 53, 1968
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Andy Warhol, Golden Mushroom Soup F.S. II 62, 1969
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Andy Warhol, New England Clam Chowder Soup F.S. II 57, 1969
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Andy Warhol, Vegetable Soup F.S. II 48, 1968
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Andy Warhol, Scotch Broth Soup F.S. II 55, 1969
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Andy Warhol, Oyster Stew Soup F.S. II 60, 1969
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Andy Warhol, Old Fashioned Vegetable Soup F.S. II 54, 1969
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Andy Warhol, Tomato Beef Noodle O's Soup, F.S. II 61, from Campbell's Soup II, 1969
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Andy Warhol, Consommé Beef Soup F.S. II 52, from Campbell's Soup I, 1968
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Andy Warhol, Hot Dog Bean Soup F.S. II 59, 1969
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Andy Warhol, Green Pea Soup F.S. II 50, 1968
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Andy Warhol, Chicken N Dumplings Soup F.S. II 58, 1969
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Andy Warhol, Onion Soup F.S. II 47, 1968
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Andy Warhol, Pepper Pot Soup F.S. II 51, 1968
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Andy Warhol, Tomato Soup F.S. II 46, 1968
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Andy Warhol, Chicken Noodle Soup F.S. II 45, 1968
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Andy Warhol, Cheddar Cheese Soup F.S. II 63, 1969
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