
Andy Warhol
Oyster Stew Soup F.S. II 60, 1969
Screen print
35 x 23 in
88.9 x 58.4 cm
88.9 x 58.4 cm
Edition of 250 plus 26 lettered AP
Series: Campbell’s Soup II
Copyright The Artist
Andy Warhol's Oyster Stew Soup Can signed screen print is a notable piece within his larger Campbell's Soup Can print portfolio. Created in 1969, this work is emblematic of Warhol's...
Andy Warhol's Oyster Stew Soup Can signed screen print is a notable piece within his larger Campbell's Soup Can print portfolio. Created in 1969, this work is emblematic of Warhol's fascination with consumer culture and the transformation of everyday objects into symbols of art.
In this particular print, Warhol takes the familiar Campbell's Soup can design and reimagines it with the label Oyster Stew. By selecting a less common flavor, Warhol adds an element of novelty to the piece while still retaining the iconic imagery associated with his Campbell's Soup series. The choice of Oyster Stew as the subject matter highlights Warhol's interest in the variety and ubiquity of consumer goods, as well as his penchant for exploring the mundane in a visually arresting manner.
Like other works in Warhol's Campbell's Soup Can portfolio, the Oyster Stew Soup Can print is characterized by bold colors, clean lines, and a sense of repetition. These elements are hallmarks of Warhol's Pop art style, which sought to celebrate and critique the mass-produced imagery of contemporary American society. Through the use of silk-screening, Warhol was able to replicate the image of the soup can with precision, further emphasizing the reproducibility and commodification of art.
One distinguishing feature of the Oyster Stew Soup Can print, as with others in the portfolio, is Warhol's decision to sign each work. By doing so, Warhol added a layer of authenticity and value to the prints, while also challenging traditional notions of authorship and originality. The signature serves as a testament to Warhol's status as both an artist and a cultural icon, reinforcing his role as a pioneer of the Pop art movement.
Overall, the Oyster Stew Soup Can signed screen print exemplifies Andy Warhol's ability to transform ordinary objects into icons of contemporary art. Through his exploration of consumer culture and mass production, Warhol challenged the boundaries of artistic expression and paved the way for a new era of artistic experimentation. Today, this print remains a powerful symbol of Warhol's enduring influence and his ongoing relevance in the world of contemporary art.
In this particular print, Warhol takes the familiar Campbell's Soup can design and reimagines it with the label Oyster Stew. By selecting a less common flavor, Warhol adds an element of novelty to the piece while still retaining the iconic imagery associated with his Campbell's Soup series. The choice of Oyster Stew as the subject matter highlights Warhol's interest in the variety and ubiquity of consumer goods, as well as his penchant for exploring the mundane in a visually arresting manner.
Like other works in Warhol's Campbell's Soup Can portfolio, the Oyster Stew Soup Can print is characterized by bold colors, clean lines, and a sense of repetition. These elements are hallmarks of Warhol's Pop art style, which sought to celebrate and critique the mass-produced imagery of contemporary American society. Through the use of silk-screening, Warhol was able to replicate the image of the soup can with precision, further emphasizing the reproducibility and commodification of art.
One distinguishing feature of the Oyster Stew Soup Can print, as with others in the portfolio, is Warhol's decision to sign each work. By doing so, Warhol added a layer of authenticity and value to the prints, while also challenging traditional notions of authorship and originality. The signature serves as a testament to Warhol's status as both an artist and a cultural icon, reinforcing his role as a pioneer of the Pop art movement.
Overall, the Oyster Stew Soup Can signed screen print exemplifies Andy Warhol's ability to transform ordinary objects into icons of contemporary art. Through his exploration of consumer culture and mass production, Warhol challenged the boundaries of artistic expression and paved the way for a new era of artistic experimentation. Today, this print remains a powerful symbol of Warhol's enduring influence and his ongoing relevance in the world of contemporary art.
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Andy Warhol, Beef Soup F.S. II 49 , 1968
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Andy Warhol, Black Bean Soup F.S. II 44, 1968
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Andy Warhol, Campbell's Soup Can Tomato Soup, 1985
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Andy Warhol, Campbell's Soup I F.S. II 44 - 53, 1968
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Andy Warhol, Campbell's Soup II F.S. II 54 - 63, 1969
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Andy Warhol, Cheddar Cheese Soup F.S. II 63, 1969
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Andy Warhol, Chicken N Dumplings Soup F.S. II 58, 1969
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Andy Warhol, Chicken Noodle Soup F.S. II 45, 1968
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Andy Warhol, Consommé Beef Soup F.S. II 52, from Campbell's Soup I, 1968
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Andy Warhol, Cream of Mushroom Soup F.S. II 53, 1968
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Andy Warhol, Golden Mushroom Soup F.S. II 62, 1969
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Andy Warhol, Green Pea Soup F.S. II 50, 1968
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Andy Warhol, Hot Dog Bean Soup F.S. II 59, 1969
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Andy Warhol, New England Clam Chowder Soup F.S. II 57, 1969
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Andy Warhol, Old Fashioned Vegetable Soup F.S. II 54, 1969
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Andy Warhol, Onion Soup F.S. II 47, 1968
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Andy Warhol, Tomato Soup F.S. II 46, 1968
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Andy Warhol, Tomato Beef Noodle O's Soup, F.S. II 61, from Campbell's Soup II, 1969
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Andy Warhol, Vegetarian Vegetable Soup F.S. II 56, 1969
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Andy Warhol, Pepper Pot Soup F.S. II 51, 1968
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Andy Warhol, Vegetable Soup F.S. II 48, 1968
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Andy Warhol, Scotch Broth Soup F.S. II 55, 1969
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