Guy Hepner
Skip to main content
  • Menu
  • Artists
  • Artworks
  • Exhibitions
  • News
  • About
  • Shop
  • Video
  • Consign
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Artworks

  • All
  • Contemporary
  • Emerging
  • Photography
  • Postwar
  • Urban
Andy Warhol, Self-Portrait F.S. IIIA 10, 1978

Andy Warhol

Self-Portrait F.S. IIIA 10, 1978
Screen Print on Curtis Rag paper
43 3/4 x 35 in
111.1 x 88.9 cm
Series: Self-Portraits
Copyright The Artist
Andy Warhol, a leading figure in the Pop Art movement, is renowned for his self-portraits, which serve as a significant part of his artistic legacy. Warhol's self-portraits are characterized by...
Read more
Andy Warhol, a leading figure in the Pop Art movement, is renowned for his self-portraits, which serve as a significant part of his artistic legacy. Warhol's self-portraits are characterized by their repetitive nature, reflecting his fascination with mass production and consumer culture. Through these works, he explored themes of identity, celebrity, and mortality, often using bright colors and bold compositions to create a striking visual impact. Warhol's self-portraits are not just representations of his physical appearance; they are complex commentaries on the nature of fame and the artist's role in society.

Warhol began creating self-portraits in the early 1960s, and these works became increasingly introspective over time. One of his most famous self-portraits is the "Self-Portrait" series from 1966, which features multiple images of his face in a grid pattern. This series exemplifies Warhol's use of repetition, a technique he borrowed from commercial art and advertising. By presenting his image in this way, Warhol questions the authenticity of the self and the notion of the artist as a unique creator. The repetition of his face also suggests a sense of ubiquity and the idea that identity can be commodified and replicated.

In the 1980s, Warhol's self-portraits took on a darker tone, reflecting his preoccupation with death and the ephemeral nature of life. The "Fright Wig" series from 1986, created shortly before his death, is particularly notable. In these portraits, Warhol appears with a stark, white wig against a dark background, his face partially obscured by shadow.
This haunting imagery conveys a sense of foreboding and introspection, marking a departure from the vibrant and playful self-portraits of his earlier years. The "Fright Wig" series can be seen as a meditation on mortality and the fleeting nature of fame, themes that were central to Warhol's work throughout his career.

Warhol's self-portraits are a testament to his enduring influence and his ability to challenge conventional notions of art and identity. Through his innovative use of media and his exploration of complex themes, Warhol's self-portraits continue to captivate audiences and provoke thought. They offer a window into the mind of an artist who was deeply concerned with the intersection of art, commerce, and personal identity. Today, these self-portraits are celebrated as some of Warhol's most iconic and introspective works, highlighting his unique vision and his lasting impact on the art world.
Close full details
Inquire
%3Cdiv%20class%3D%22artist%22%3EAndy%20Warhol%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESelf-Portrait%20F.S.%20IIIA%2010%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1978%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20Print%20on%20Curtis%20Rag%20paper%20%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E43%203/4%20x%2035%20in%3Cbr/%3E%0A111.1%20x%2088.9%20cm%3C/div%3E%3Cdiv%20class%3D%22series%22%3E%3Cspan%20class%3D%22artwork_caption_prefix%22%3ESeries%3A%3C/span%3E%20Self-Portraits%20%3C/div%3E
Previous
|
Next
1659 
of  6718
Related artworks
  • Self-Portrait F.S. IIIC 59
    Self-Portrait F.S. IIIC 59
  • Self-Portrait F.S. IIIC 30
    Self-Portrait F.S. IIIC 30
  • Self-Portrait F.S. IIIC 29
    Self-Portrait F.S. IIIC 29
  • Self-Portrait F.S. IIIC 28
    Self-Portrait F.S. IIIC 28
  • Self-Portrait F.S. IIIC 27
    Self-Portrait F.S. IIIC 27
  • Self-Portrait F.S. IIIC 26
    Self-Portrait F.S. IIIC 26
  • Self Portrait F.S. IIIC 25
    Self Portrait F.S. IIIC 25
  • Self Portrait F.S. IIIC 24
    Self Portrait F.S. IIIC 24
  • Self-Portrait F.S. IIIC 1 (c)
    Self-Portrait F.S. IIIC 1 (c)
  • Self-Portrait F.S. IIIC 1
    Self-Portrait F.S. IIIC 1
  • Self-Portrait
    Self-Portrait
  • Self-Portrait F.S. II 156
    Self-Portrait F.S. II 156
  • Fright Wig
    Fright Wig
  • Fish F.S. IIIA 41
    Fish F.S. IIIA 41
  • Candy Box (Closed) F.S. IIIA 42
    Candy Box (Closed) F.S. IIIA 42
  • Candy Box (Closed) F.S. IIIA 42
    Candy Box (Closed) F.S. IIIA 42
  • Candy Box (Open) F.S. IIIA 42
    Candy Box (Open) F.S. IIIA 42
  • Flower For Tacoma Dome F.S. IIIA 37
    Flower For Tacoma Dome F.S. IIIA 37
  • Daisy F.S. IIIA 38
    Daisy F.S. IIIA 38
  • Daisy F.S. IIIA 38
    Daisy F.S. IIIA 38
  • Fish F.S. IIIA 40
    Fish F.S. IIIA 40
  • Candy Box (Lamston's 85 (Cents) F.S. IIIA 44
    Candy Box (Lamston's 85 (Cents) F.S. IIIA 44
  • Candy Box (Closed and Open) F.S. IIIA 45
    Candy Box (Closed and Open) F.S. IIIA 45
  • Keith Haring
    Keith Haring
  • Fish III.A 39
    Fish III.A 39
  • Skull F.S. IIIA 1 (A)
    Skull F.S. IIIA 1 (A)
  • Daily News F.S. IIIB 1
    Daily News F.S. IIIB 1
  • Marilyn Monroe (Marilyn) F.S. IIIA 3 (B)
    Marilyn Monroe (Marilyn) F.S. IIIA 3 (B)
  • Marilyn Monroe (Marilyn) F.S. IIIA 3 (A)
    Marilyn Monroe (Marilyn) F.S. IIIA 3 (A)
  • Mao F.S. IIIA 6
    Mao F.S. IIIA 6
  • Campbell's Soup Can (Tomato) F.S. IIIA.5
    Campbell's Soup Can (Tomato) F.S. IIIA.5
  • Kellogg's Cornflakes F.S. IIIA 12 (A)
    Kellogg's Cornflakes F.S. IIIA 12 (A)
  • Car Crash F.S. IIIA 9 (A)
    Car Crash F.S. IIIA 9 (A)
  • Flowers F.S. IIIA 14 (C)
    Flowers F.S. IIIA 14 (C)
  • Mona Lisa F.S. IIIA 13 (B)
    Mona Lisa F.S. IIIA 13 (B)
  • Gem F.S. IIIA 17 (A)
    Gem F.S. IIIA 17 (A)
  • Studio 54 Complimentary Drink Invitation F.S. IIIA 16
    Studio 54 Complimentary Drink Invitation F.S. IIIA 16
  • Knives F.S. IIIA 32
    Knives F.S. IIIA 32
  • Querelle F.S. IIIA 27 (B)
    Querelle F.S. IIIA 27 (B)
  • Gun F.S. IIIA 34 (A)
    Gun F.S. IIIA 34 (A)
  • Gun F.S. IIIA 34 (B)
    Gun F.S. IIIA 34 (B)
  • Torso (Double) F.S. IIIA 35
    Torso (Double) F.S. IIIA 35
  • Torso (Double) F.S. IIIA 35
    Torso (Double) F.S. IIIA 35
  • Caution Remove Or Bend Over Projecting Nails F.S. IIIA 47
    Caution Remove Or Bend Over Projecting Nails F.S. IIIA 47
  • New York Post (Judge Blasts Lynch) F.S. IIIA 46
    New York Post (Judge Blasts Lynch) F.S. IIIA 46
  • SAS Passenger Ticket
    SAS Passenger Ticket
  • Poinsettias F.S. IIIA 52
    Poinsettias F.S. IIIA 52
  • Poinsettias F.S. IIIA 51
    Poinsettias F.S. IIIA 51
  • Poinsettias F.S. IIIA 50
    Poinsettias F.S. IIIA 50
  • Beware Of Dog F.S. IIIA 48
    Beware Of Dog F.S. IIIA 48

Join our mailing list

Submit

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.

177 10th Avenue
Ground Floor
New York, NY 10011

Tuesday - Friday 10am - 5pm
Saturday 11am - 5pm

info@guyhepner.com
+1 (212) 500 8190

50 Grosvenor Hill,
Mayfair, 
London, W1K 3QT

By appointment
 

info@guyhepner.com
+44 (0)20 3411 0108

  • Menu
  • Artists
  • Artworks
  • Exhibitions
  • News
  • About
  • Shop
  • Video
  • Consign
Instagram, opens in a new tab.
Join the mailing list
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Tiktok, opens in a new tab.
Accessibility Policy
Cookie Policy
Manage cookies
Terms & Conditions
© Guy Hepner
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Find out more about cookies.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences