
25 Cats Named Sam
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The Sachiko series represents one of the most intimate portrait commissions within Andy Warhol's extensive body of screen print work, and auction results confirm sustained collector demand for these Japanese-themed compositions. Recent auction performance demonstrates the series' strength in the secondary market. One of the two prints achieved $504,000 at auction in November 2021, followed by another impression of the same work realising $378,000 in May 2022. These results position the Sachiko prints within the upper tier of Warhol's commissioned portrait editions, outperforming many of his more widely recognised subjects from the same period.
Context within Warhol's broader market reinforces the significance of these figures. While Shot Sage Blue Marilyn commanded $195,040,000 at Christie's in May 2022—establishing the highest price ever paid for a 20th-century work at auction—the commissioned portrait prints offer collectors meaningful exposure to Warhol's practice at considerably more accessible price points. Mao F.S. II.96 and II.97 each sold for $4,648,000 at Christie's in May 2025, while Flowers prints reached $4,076,000 and $3,832,000 at Sotheby's the same month. Against this backdrop, the Sachiko series presents compelling relative value for collectors seeking distinctive Warhol holdings.
Created in 1977, the Sachiko series comprises two screen prints on Strathmore Bristol paper, each measuring 40 x 30 1/4 inches. The works emerged from Warhol's prolific commissioned portrait practice, which dominated his output during the 1970s and generated substantial revenue for The Factory. This period saw Warhol execute portraits of socialites, business figures, and international personalities who paid significant fees to sit for the artist.
The choice of Strathmore Bristol paper reflects Warhol's preference for high-quality, archival substrates capable of holding the dense ink saturation his screen printing technique required. Published in an edition format consistent with his other portrait series from this era, the Sachiko prints exhibit the distinctive colour separations and layered printing that became synonymous with Warhol's approach to commissioned portraiture.
Culturally, the series demonstrates Warhol's expanding international clientele during the late 1970s. Japanese collectors and subjects increasingly entered his orbit as his fame spread globally, and the Sachiko portraits document this cross-cultural engagement at a pivotal moment in both Warhol's career and the internationalisation of the contemporary art market.
The series consists of two distinct prints, each offering different compositional and chromatic approaches to the subject.
The first print presents the first variation, establishing the foundational portrait composition. Collectors frequently gravitate toward this work for its clarity of form and the particular balance Warhol achieved between photographic source material and graphic intervention. The colour palette distinguishes this impression from its companion piece, with collectors often expressing preferences based on how specific hues complement existing collections.
The second print demonstrates Warhol's characteristic practice of exploring multiple chromatic interpretations of a single subject. This work achieved the documented auction results of $504,000 and $378,000, indicating strong market validation, and tends to attract collectors who already hold examples from other Warhol portrait series and seek cohesion in colour temperature or tonal range.
Both works reward close examination of Warhol's printing decisions—the registration of colour layers, the handling of flesh tones, and the degree of graphic abstraction applied to photographic features. Sophisticated collectors assess these technical elements alongside condition when making acquisition decisions.
Authentication of Sachiko prints requires verification against the Andy Warhol Foundation's catalogue raisonné and, where applicable, assessment by the Foundation's authentication board protocols established prior to its dissolution. Works should bear appropriate stamps, signatures, or documentation consistent with editions produced and released during Warhol's lifetime or immediately posthumously under Foundation oversight.
Condition factors specific to this series include assessment of the Strathmore Bristol paper substrate for any foxing, toning, or handling damage along sheet edges. The 40 x 30 1/4 inch format requires careful examination of corners and margins, as works of this scale are susceptible to storage-related wear. Ink saturation should remain consistent across colour fields without fading, particularly in areas of dense coverage where screen printing can produce uneven aging.
Professional conservation framing with UV-protective glazing and acid-free mounting materials remains essential for preserving market value. Guy Hepner provides detailed condition reporting on all Sachiko works handled, ensuring collectors understand the precise state of any work under consideration before acquisition.
Acquire Sachiko Works Through Guy Hepner
For current availability, pricing, and detailed condition information on Sachiko prints, contact Guy Hepner directly. Our New York team provides comprehensive acquisition support including provenance verification, condition assessment, and strategic guidance for integrating these works into existing collections.
This series belongs to the vast and varied body of print and painted work Warhol produced across five decades, during which he moved fluidly between celebrity portraiture, consumer product imagery, historical appropriation, and personal or commissioned subject matter — all filtered through the same signature screenprint process that flattened the distinction between mechanical reproduction and fine art. Warhol's insistence on treating commercial printing techniques as a primary artistic medium, rather than a secondary reproductive tool, remains one of the most influential positions in postwar American art.
Warhol's work is held in the permanent collections of major museums worldwide, including the Museum of Modern Art, the Whitney Museum of American Art, Tate Modern, and the Andy Warhol Museum in Pittsburgh, which maintains the most complete public archive of his output across all periods and subjects.

2 works available
Five Facts About Andy Warhol Sachiko
Sachiko comprises two screenprints (F. & S. II.154-155) that Andy Warhol made in 1977, both portraying Sachiko Goodman.
Goodman was a New York real estate broker, art collector and museum trustee who was a close friend of Warhol's during the 1970s.
The prints were screenprinted on Strathmore Bristol paper and signed by Warhol in pencil.
In the compositions, Warhol overlays multi-coloured squares across Goodman's portrait, dividing the image into four unequal sections.
Sachiko is depicted topless in profile, part of a body of informal 1970s portraits Warhol made of friends and social intimates rather than official commissions.
Market Data
See real auction history, estimate ranges and price benchmarks for individual Sachiko prints, sourced from Christie's, Sotheby's and other major auction houses.
Frequently Asked Questions
Andy Warhol Sachiko prints for sale are available at Guy Hepner Gallery, 529 West 20th Street, New York (by appointment). We offer authenticated editions with full provenance documentation sourced from the secondary market and directly from publishers.
Andy Warhol Sachiko works — 2 available — are typically produced as limited editions, individually signed and numbered by the artist. Contact Guy Hepner Gallery for edition details on specific works.
Pricing for Andy Warhol Sachiko prints varies by edition size, date, and condition. Contact Guy Hepner Gallery for current market pricing and availability.
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