In her exploration of line as both structure and sensation, Bridget Riley reveals how precise visual order can generate powerful perceptual experience. Through carefully calibrated arrangements of parallel bands, Riley transforms simple linear elements into dynamic fields of visual energy.

Her work does not depict movement but activates it within the viewer’s act of seeing. Subtle shifts in spacing, rhythm, and color relationships create optical tensions that appear to pulse, shimmer, and unfold across the surface. Line becomes more than a formal device — it is a means of testing how perception responds to balance, contrast, and visual tempo.

Riley’s practice unites disciplined structure with sensory immediacy. The resulting compositions invite prolonged looking, heightening awareness of how vision itself operates. In this mastery of line and perception, her work offers an experience that is at once analytical, immersive, and profoundly alive.

  • Select Works

    • Bridget Riley Intervals set of 3, 2021
      Bridget Riley
      Intervals set of 3, 2021
    • Bridget Riley Vista, 2017
      Bridget Riley
      Vista, 2017
    • Bridget Riley Red, Blue, Yellow and Turquoise (without white intervals), 1981
      Bridget Riley
      Red, Blue, Yellow and Turquoise (without white intervals), 1981
    • Bridget Riley Right Angle Curves Study No.4, 1966
      Bridget Riley
      Right Angle Curves Study No.4, 1966
    • Bridget Riley Silvered 2, 1981
      Bridget Riley
      Silvered 2, 1981
    • Bridget Riley Elapse, 1982
      Bridget Riley
      Elapse, 1982
    • Bridget Riley Vista, 2017
      Bridget Riley
      Vista, 2017
    • Bridget Riley Rose Rose, 2011
      Bridget Riley
      Rose Rose, 2011
    • Bridget Riley Around, 2011
      Bridget Riley
      Around, 2011