Picasso, Warhol, Basquiat and Haring are among the most transformative artists of the 20th century, each reshaping how we see art and culture.

Together they fundamentally reshaped the language of art in the 20th century, each pushing boundaries while collectively redefining what art could represent, where it could exist, and who it was for. Their practices dismantled traditional hierarchies between high and low culture, fine art and popular imagery, and the private space of the studio and the public realm of the street.

Across generations, these artists challenged inherited conventions of form, subject matter, and authorship. They embraced fragmentation, repetition, symbolism, and immediacy to reflect the accelerating pace of modern life, mass media, and shifting social realities. Whether drawing from classical traditions, commercial imagery, urban environments, or subcultural expression, they transformed familiar visual languages into powerful tools for commentary, critique, and connection.

What unites them is not a single style, but a shared willingness to disrupt expectations and expand art’s role within society. Their works speak to identity, power, fame, consumption, and humanity itself, themes that remain central to contemporary culture. By collapsing the distance between art and everyday experience, they opened pathways for future generations to engage with art as something living, accessible, and relevant.

Their legacies endure not only in museums and collections, but in the visual language of modern life, where their ideas continue to shape how culture sees itself.

    • Pablo Picasso Femme tenant un journal, 1915
      Pablo Picasso
      Femme tenant un journal, 1915
    • Pablo Picasso Femme au Chapeau (Portrait de Jacqueline au chapeau de paille multicolore)., 1962
      Pablo Picasso
      Femme au Chapeau (Portrait de Jacqueline au chapeau de paille multicolore)., 1962
    • Pablo Picasso Portrait de Jacqueline en Carmen (L'Espagnole) , 1962
      Pablo Picasso
      Portrait de Jacqueline en Carmen (L'Espagnole) , 1962
    • Pablo Picasso Woman Reclining and Man with a Guitar | Femme couchée et homme à la guitare, , 1959
      Pablo Picasso
      Woman Reclining and Man with a Guitar | Femme couchée et homme à la guitare, , 1959
    • Pablo Picasso Two Women by the Window | Deux femmes près de la fenêtre, 1959
      Pablo Picasso
      Two Women by the Window | Deux femmes près de la fenêtre, 1959
    • Pablo Picasso Femme nue à la source, 1963
      Pablo Picasso
      Femme nue à la source, 1963
    • Andy Warhol Flowers (Yellow), 1964
      Andy Warhol
      Flowers (Yellow), 1964
    • Andy Warhol Marilyn Monroe F.S. II 28, 1967
      Andy Warhol
      Marilyn Monroe F.S. II 28, 1967
    • Andy Warhol $ (9) [II.285], 1982
      Andy Warhol
      $ (9) [II.285], 1982
    • Andy Warhol Grace Kelly F.S. II 305, 1984
      Andy Warhol
      Grace Kelly F.S. II 305, 1984
    • Andy Warhol, Tomato F.S. II 46
      Andy Warhol
      Tomato Soup F.S. II 46 From Soup Cans Portfolio I, 1968
    • Andy Warhol General Custer F.S. II 379, from Cowboys and Indians, 1986
      Andy Warhol
      General Custer F.S. II 379, from Cowboys and Indians, 1986
    • Jean-Michel Basquiat The Figure Portfolio, 1982 - 2023
      Jean-Michel Basquiat
      The Figure Portfolio, 1982 - 2023
    • Jean-Michel Basquiat Rome Pays Off, from Portfolio II, 1982-2004
      Jean-Michel Basquiat
      Rome Pays Off, from Portfolio II, 1982-2004
    • Jean-Michel Basquiat Jawbone Of An Ass, from Portfolio II , 1982-2004
      Jean-Michel Basquiat
      Jawbone Of An Ass, from Portfolio II , 1982-2004
    • Jean-Michel Basquiat Charles The First, from Portfolio II , 1982-2004
      Jean-Michel Basquiat
      Charles The First, from Portfolio II , 1982-2004
    • Jean-Michel Basquiat A Panel of Experts, from Superhero Portfolio, 1982/87-2022
      Jean-Michel Basquiat
      A Panel of Experts, from Superhero Portfolio, 1982/87-2022
    • Jean Michel Basquiat King Alphonso, 2025
      Jean Michel Basquiat
      King Alphonso, 2025
    • Keith Haring Untitled (Medusa) (Littmann PP . 54-55), 1986
      Keith Haring
      Untitled (Medusa) (Littmann PP . 54-55), 1986
    • Keith Haring Untitled (Cup Man) (Littmann PP. 116-117), 1989
      Keith Haring
      Untitled (Cup Man) (Littmann PP. 116-117), 1989
    • Keith Haring Pop Shop Quad III (Littmann PP. 142), 1989
      Keith Haring
      Pop Shop Quad III (Littmann PP. 142), 1989
    • Keith Haring Pop Shop Quad IV (Littmann PP. 142), 1989
      Keith Haring
      Pop Shop Quad IV (Littmann PP. 142), 1989
    • Keith Haring Barking Dog from Icons, 1990
      Keith Haring
      Barking Dog from Icons, 1990
    • Keith Haring Radiant Baby, from Icons (Littmann PP. 170 - 171), 1990
      Keith Haring
      Radiant Baby, from Icons (Littmann PP. 170 - 171), 1990
  • The View

    The View

    In 2025 the markets for Picasso, Warhol, Basquiat, and Haring remain foundational to blue-chip collecting, anchoring major collections and dominating both prints and originals at auction and in private sales. Icons like Picasso continue to command global attention, with high-profile sales — such as a vibrant Picasso portrait achieving strong results in Paris — underscoring his enduring appeal among institutions and collectors alike.

    Prints and multiples by this quartet continue to be especially resilient. Andy Warhol’s portfolios and limited editions remain highly sought and often set new benchmarks for the print market, while Basquiat’s rarer prints and Haring’s dynamic editions attract competitive bidding and growing interest from younger collectors entering the market. 

    Despite a broader market correction at the very top end, demand for blue-chip icons stays relatively stable, with works by these artists frequently used to anchor collections worldwide. Their pieces provide both cultural capital and liquidity, ensuring that Picasso, Warhol, Basquiat, and Haring remain cornerstones of modern collecting across museums, private estates, and institutional collections.