Warhol x Lichtenstein: The Faces of Pop — Portraits Plus brings together a compelling assembly of portraiture by two of the most influential figures of the Pop Art movement — Andy Warhol and Roy Lichtenstein. This viewing room juxtaposes Warhol’s iconic silkscreen visions of celebrity and symbolic imagery with Lichtenstein’s distinctive graphic explorations of form and figure, offering a nuanced encounter with the way both artists transformed the face into a site of cultural meaning.

Warhol’s portraits, with their bold, repetitive silkscreen technique and vivid palette, reflect his fascination with fame, media saturation, and the commodification of identity. By elevating imagery drawn from publicity photos and art history alike — from Marilyn Monroe to reinterpretations of Renaissance masterpieces — Warhol probes how personas are constructed, consumed, and remembered.

Complementing this, Lichtenstein’s works in the selection demonstrate his mastery of graphic reduction and comic-inspired aesthetics. His nuanced approach to the human form — whether rendered with his signature Ben-Day dots or through more subdued line and colour — reframes the face with both irony and emotional depth, bridging popular visual culture and fine art. 

Together, these works not only chart distinct yet interconnected pathways within Pop Art but also invite reflection on how the portrait — through repetition, appropriation, and stylistic reinvention — became a central vehicle for questioning the very nature of representation in the modern age.

    • Andy Warhol Marilyn Monroe (Marilyn) F.S. II 22-31, 1967
      Andy Warhol
      Marilyn Monroe (Marilyn) F.S. II 22-31, 1967
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    • Roy Lichtenstein Nude With Blue Hair (C.286), 1994
      Roy Lichtenstein
      Nude With Blue Hair (C.286), 1994
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    • Andy Warhol Marilyn Monroe F.S. II 28, 1967
      Andy Warhol
      Marilyn Monroe F.S. II 28, 1967
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    • Roy Lichtenstein Thinking Nude (C. 289), 1994
      Roy Lichtenstein
      Thinking Nude (C. 289), 1994
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    • Andy Warhol Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.317), 1984
      Andy Warhol
      Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.317), 1984
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    • Roy Lichtenstein Reverie (C. 38), 1965
      Roy Lichtenstein
      Reverie (C. 38), 1965
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    • Roy Lichtenstein Sweet Dreams Baby (C.39), 1965
      Roy Lichtenstein
      Sweet Dreams Baby (C.39), 1965
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    • Andy Warhol Marilyn Monroe F.S. II 30, 1967
      Andy Warhol
      Marilyn Monroe F.S. II 30, 1967
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    • Andy Warhol The Shadow F.S. II 267, from Myths, 1981
      Andy Warhol
      The Shadow F.S. II 267, from Myths, 1981
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    • Andy Warhol Liz F.S. II 7, 1964
      Andy Warhol
      Liz F.S. II 7, 1964
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    • Roy Lichtenstein Still Life With Picasso (C. 127), 1973
      Roy Lichtenstein
      Still Life With Picasso (C. 127), 1973
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    • Andy Warhol Self Portrait (F.S. II 16), 1966
      Andy Warhol
      Self Portrait (F.S. II 16), 1966
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  • The View

    The View

    In 2025 Andy Warhol and Roy Lichtenstein continue to top rankings of Post-War artists with consistent demand for their prints and multiples.

    Warhol’s market strength stems from his enduring cultural resonance and the iconic nature of his imagery — particularly his portraits of Marilyn Monroe have transcended art history to become universally recognisable symbols of 20th-century visual culture. 

    Similarly, Lichtenstein’s market has shown remarkable resilience in 2025, with Nudes series prints like Nude Reading achieving strong results well above estimates and demonstrating significant growth trajectories at auction. The combination of rarity, graphic clarity, and historical importance has placed Lichtenstein’s late-career works firmly within the core of serious Pop Art collections. 

    For collectors, adding Warhol and Lichtenstein — especially iconic images and distinguished series means investing in works that are both culturally foundational and financially robust, offering a blend of visual impact and proven market performance in today’s selective art landscape.