David Hockney’s print market in 2025 is no longer a footnote to his paintings; it has become a mature collecting category in its own right. Over the past decade, turnover in his hand-signed prints has risen more than fourfold — from roughly $1.66 million in 2015 to over $9.2 million in 2024, even after the wider market cooled from a 2023 peak near $17.9 million.

At the centre of this ,majot shift towards prints is The Arrival of Spring — Hockney’s luminous iPad-based landscapes of Woldgate and Normandy — supported by the Yosemite suites and his wider iPad practice. Today, these works stand at the intersection of recognisable subject matter, institutional strength and sustained market performance.

  • Available Works

    • David Hockney April 28th, The Arrival of Spring in Woldgate, East Yorkshire, 2011
      David Hockney
      April 28th, The Arrival of Spring in Woldgate, East Yorkshire, 2011
    • David Hockney January 3rd, The Arrival of Spring in Woldgate, East Yorkshire, 2011
      David Hockney
      January 3rd, The Arrival of Spring in Woldgate, East Yorkshire, 2011
    • David Hockney May 4, The Arrival of Spring in Woldgate, East Yorkshire, 2011
      David Hockney
      May 4, The Arrival of Spring in Woldgate, East Yorkshire, 2011
    • David Hockney 1st of January, The Arrival of Spring in Woldgate, East Yorkshire , 2011
      David Hockney
      1st of January, The Arrival of Spring in Woldgate, East Yorkshire , 2011
    • David Hockney The Yosemite Suite No. 9, 2010
      David Hockney
      The Yosemite Suite No. 9, 2010
    • David Hockney The Yosemite Suite No. 5, 2010
      David Hockney
      The Yosemite Suite No. 5, 2010
    • David Hockney The Yosemite Suite No. 16, 2010
      David Hockney
      The Yosemite Suite No. 16, 2010
    • David Hockney 21st April, Yellow Flowers In A Small Milk Churn, 2021
      David Hockney
      21st April, Yellow Flowers In A Small Milk Churn, 2021