In Stefanski’s world, words are unstable and slippery. They can offer clarity one moment and confuse the next. This fluidity mirrors the instability of modern identity and the precarity of meaning in a post-truth world. His paintings acknowledge this uncertainty and revel in it, offering no easy answers—only reflections. Language, for Stefanski, is a way to process life’s absurdities, disappointments, and fleeting moments of connection.

The humor in his work is never gratuitous; it’s a survival mechanism. Stefanski uses wit to cope with the burdens of self-awareness and artistic ambition. His paintings articulate thoughts we often repress: the fear of mediocrity, the need for approval, the absurdity of creating in a world oversaturated with content. Through these confessions, he offers a kind of solidarity with viewers, who may see their own fears and frustrations mirrored back at them.

  • New Works From June and July 2025

    • I'm Trying
      I'm Trying
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    • You and Me
      You and Me
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    • Moody
      Moody
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    • Maybe It Gets Better
      Maybe It Gets Better
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    • I Adore You (Large)
      I Adore You (Large)
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    • Cheer Up
      Cheer Up
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    • Do Whatever You Want
      Do Whatever You Want
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    • For Once Just Be Happy
      For Once Just Be Happy
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  • Why Collectors Should Consider Emergent Artists Like Eric Stefanski

    Why Collectors Should Consider Emergent Artists Like Eric Stefanski

    What sets Stefanski apart is his ability to tap into the emotional pulse of contemporary life. His phrases reflect personal grief, insecurity, and hope, yet are delivered with sharp wit and disarming honesty. Whether referencing a specific experience or capturing a universal sentiment, Stefanski’s paintings resonate because they feel real and immediate.

    His practice is rooted in art history, yet entirely current. With an MFA and a growing international exhibition history—including shows in Chicago, East Hampton, and Barcelona—Stefanski bridges conceptual, pop, and abstract traditions. His nods to artists like On Kawara are evident, but his work retains a streetwise edge and accessibility that speaks to a broad range of collectors.

    For those seeking work that combines raw emotion with visual impact, Stefanski offers a compelling and timely voice. His art has appeared on major platforms like Artsy, Widewalls, and Artland, and his gallery representation continues to expand. With recent exhibitions such as I’m a Genius, I’m a Fraud and I’m Never Saying Goodbye, Stefanski’s momentum is undeniable. His works are not only visually striking but deeply personal, making them meaningful additions to both new and established collections.