In Beauty in Chaos, we enter Damien Hirst’s world of controlled chaos, where vibrant spins, regimented spots, and delicate butterflies converge to explore life’s beautiful unpredictability. The Spin works harness mechanical motion and centrifugal force to fling paint across the canvas—each swirl bursting with color yet held in silent tension between spontaneity and structure. Meanwhile, the Spot prints exemplify near-scientific precision: dot after dot aligned in grids, each hue chosen and positioned with exacting care, evoking human rationality even as the sheer abundance of color teeters on sensory overload.

Then there are the butterflies—real wings arranged into kaleidoscopic patterns or affixed mid-flight—capturing the fragile boundary between life and death. They symbolize metamorphosis, spiritual transcendence, and humanity’s impulse to preserve fleeting beauty. Across these three motifs, Hirst orchestrates a dialogue between control and chance. The physics of the spin, the exactitude of the spot, and the ephemeral flight of the butterfly work in unison to create an aesthetic paradox: a meticulously ordered composition that nevertheless pulses with untamed energy.

Controlled chaos becomes both method and metaphor—an invitation to dwell in the tension between the calculated and the uncontrolled, between vibrant life and the inevitability of decay.

    • Damien Hirst, Capricorn, 2009
      Damien Hirst, Capricorn, 2009
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    • Damien Hirst, All You Need is Love Love Love (PP), 2009
      Damien Hirst, All You Need is Love Love Love (PP), 2009
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    • Damien Hirst, Cinchonidine / Ciclopirox Olamine / Cineole, 2004
      Damien Hirst, Cinchonidine / Ciclopirox Olamine / Cineole, 2004
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    • Damien Hirst, Methamphetamine, 2004
      Damien Hirst, Methamphetamine, 2004
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    • Damien Hirst, Memento 2, 2008
      Damien Hirst, Memento 2, 2008
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    • Damien Hirst, Memento 4, 2008
      Damien Hirst, Memento 4, 2008
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    • Damien Hirst, Untitled Spin Painting, 2009
      Damien Hirst, Untitled Spin Painting, 2009
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    • Damien Hirst, Opium, 2000
      Damien Hirst, Opium, 2000
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    • Damien Hirst, Tryptophan, 2010
      Damien Hirst, Tryptophan, 2010
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    • Damien Hirst, The Virtues Justice H9-1, 2021
      Damien Hirst, The Virtues Justice H9-1, 2021
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    • Damien Hirst, Doxylamine, 2007
      Damien Hirst, Doxylamine, 2007
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    • Damien Hirst, Bromphenol Blue, 2005
      Damien Hirst, Bromphenol Blue, 2005
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    • Damien Hirst, Methylamine 13c, 2014
      Damien Hirst, Methylamine 13c, 2014
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    • Damien Hirst, Lepidine, 2008
      Damien Hirst, Lepidine, 2008
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  • The View

    The View

    In 2025, Hirst’s prints and works on paper remain highly collectible and accessible entry points into his broader oeuvre. 

    Hirst’s Spots are his signature: precise, colourful, systematic labiles across canvas and paper. They tap into themes of scientific classification as well as mass production—Hirst views them as nearly infinite, referencing their low production costs and ubiquitous appeal. Collectors prize numbered editions, and limited run prints offer a combination of visual impact, conceptually rich context, and approachable pricing, often in the mid‑four‑figure range.

    Originally created via workshop-collaboration, spin paintings capture energy, randomness, and communal performance. Works like Butterfly Spin Paintings with their kinetic appearance and story-driven creation help them remain popular at mid-market levels.

    Butterfly motifs are deeply rooted in Hirst’s themes of mortality and rebirth with collectors value their visual beauty and thematic resonance within Hirst’s broader symbolic vocabulary.

    Each series is instantly evocative of Hirst’s artistic identity—conceptual rigor (Spots), performative spectacle (Spins), and existential themes (Butterflies). At mid‑market price points, these works offer valued asset-class entry while still connecting to Hirst’s blue-chip legacy—his larger installations and formaldehyde cabinets often sell in the millions. r 

    In 2025, Hirst’s Spots, Spins, and Butterflies remain central to his market identity—visually arresting, thematically potent, and financially attainable. They deliver a compelling narrative, strong secondary sales, and collectible appeal—making them essential for both emerging and established collections.