Harland Miller’s Pulp Fiction: Textual Sophistication exhibition, showcased at Guy Hepner, invites viewers into a playful yet profound dialogue between visual art and the printed word. Miller, renowned for his reworked Penguin-style book covers, melds mid‑century pop‑art aesthetics with sharp-witted literary references, turning typography into a central character. His bold, oversized titles—often cheeky or provocative—are more than stylistic flair; they pose ironical and cultural critiques that surprise and engage a broad audience
This exhibition highlights how Miller’s textual interventions transform our perception: a simple change in hue or phrasing shifts emotional tone, forging resonance through colour, composition, and wordplay. Each canvas reads like a book you never knew you wanted to read—susceptible to mischief but impossible to ignore. Ultimately, Pulp Fiction: Textual Sophistication reveals Miller as an artist‑author whose visual poetry interrogates the power, paradox, and poetry of language itself.
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International Lonely Guy
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Tonight We Make History (P.S. I can’t be there), Blue (XXL version)
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Tonight We Make History (P.S. I can’t be there), Orange (XXL version)
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Tonight We Make History (P.S. I can’t be there), Pink (XXL version)
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On Me Not In Me; Health and Safety is Killing Bondage; There's No Business Like No Business
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Blonde But Not Forgotten
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Too Cool To Lose
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Incurable Romantic Seeks Dirty Filthy Whore
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Death What's In It For Me?
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3 WISHES 4 EVER
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Gateshead Revisited
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Hate's Outta Date (Yellow)
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