• Andy Warhol Grace Kelly F.S. II 305, 1984
      Andy Warhol
      Grace Kelly F.S. II 305, 1984
    • Andy Warhol The New Spirit Donald Duck FS. II 357 from Ads, 1985
      Andy Warhol
      The New Spirit Donald Duck FS. II 357 from Ads, 1985
    • Andy Warhol Sitting Bull (FS. ii 376), from Cowboys and Indians, 1986
      Andy Warhol
      Sitting Bull (FS. ii 376), from Cowboys and Indians, 1986
    • Andy Warhol Hot Dog Bean Soup F.S. II 59, 1969
      Andy Warhol
      Hot Dog Bean Soup F.S. II 59, 1969
    • Jean-Michel Basquiat Hollywood Africans , 1983-2015
      Jean-Michel Basquiat
      Hollywood Africans , 1983-2015
    • Jean-Michel Basquiat Flexible, 1984-2016
      Jean-Michel Basquiat
      Flexible, 1984-2016
    • Jean-Michel Basquiat Boxer Rebellion , 1982/83-2018
      Jean-Michel Basquiat
      Boxer Rebellion , 1982/83-2018
    • Jean-Michel Basquiat 50 Cent Piece , 1982/83-2020
      Jean-Michel Basquiat
      50 Cent Piece , 1982/83-2020
    • Keith Haring Fertility 2 (Littmann PP. 32) , 1983
      Keith Haring
      Fertility 2 (Littmann PP. 32) , 1983
    • Keith Haring Pop Shop Quad II (Littmann PP. 94-95), 1988
      Keith Haring
      Pop Shop Quad II (Littmann PP. 94-95), 1988
    • Keith Haring Best Buddies, 1990
      Keith Haring
      Best Buddies, 1990
    • Keith Haring Pop Shop IV (D) (Littmann PP. 147), 1989
      Keith Haring
      Pop Shop IV (D) (Littmann PP. 147), 1989
    • Roy Lichtenstein Red Barn (C.89), 1969
      Roy Lichtenstein
      Red Barn (C.89), 1969
    • Roy Lichtenstein Modern Print (C. 103), 1971
      Roy Lichtenstein
      Modern Print (C. 103), 1971
    • Roy Lichtenstein Repeated Design (C. 90) , 1969
      Roy Lichtenstein
      Repeated Design (C. 90) , 1969
    • Roy Lichtenstein Shipboard Girl (C. II 6), 1965
      Roy Lichtenstein
      Shipboard Girl (C. II 6), 1965
  • The View

    The View

    The post-war print market has emerged as one of the most dynamic segments in the art world, driven by growing global demand for accessible, iconic works by blue-chip artists. Among the leading names fuelling this growth are Andy Warhol, Keith Haring, Jean-Michel Basquiat, and Roy Lichtenstein—four titans of American post-war and contemporary art whose print portfolios continue to command strong prices and collector interest.

    Warhol's top screenprints regularly fetch six- and seven-figure sums at auction, while mid-tier works remain accessible for new buyers. His prints have also become bellwethers of the broader art economy—stable, appreciated, and increasingly scarce.

    Haring's editioned prints are seeing a sharp increase in value, with strong auction performances and international collector engagement fuled by the rising demand for his originals.

    Basquiat’s influence deepens and new global audiences enter the market. His prints often sell out instantly on release and frequently exceed estimates at auction, affirming his lasting relevance and market momentum.

     Lichtenstein’s prints remain prized for their formal clarity and intellectual depth. Series like Nudes and Reflections are staples in major collections, and prices continue to rise as supply diminishes and institutional focus intensifies.