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Artworks
Andy Warhol
Bighorn Ram F.S. II 302, 1983Screen print on Lenox Museum Board38 x 38 in
96.5 x 96.5 cmEdition of 150, 30 AP, 5 PP, 5 EP, 3 HC, 10 numbered in Roman numerals, 1 BAT, 30 TPSeries: Endangered SpeciesCopyright The ArtistAndy Warhol's Bighorn Ram print from his Endangered Species series is a poignant exploration of the intersection between art, nature, and environmental activism. Created in 1983, this series was commissioned...Andy Warhol's Bighorn Ram print from his Endangered Species series is a poignant exploration of the intersection between art, nature, and environmental activism. Created in 1983, this series was commissioned by art publisher Ronald Feldman and aimed to raise awareness about endangered species and the urgent need for conservation efforts.
In this particular print, Warhol captures the majestic presence of the bighorn ram, a symbol of rugged wilderness and resilience. Rendered in Warhol's iconic pop art style, the bighorn ram is depicted with bold colors and graphic simplicity, emphasizing its iconic horns and distinctive profile. Warhol's use of vibrant hues and repetitive imagery draws viewers' attention to the beauty and significance of this endangered species.
However, beneath the surface of Warhol's visually striking composition lies a deeper message about the fragility of our natural world. By featuring the bighorn ram as part of his Endangered Species series, Warhol confronts viewers with the harsh reality of human impact on the environment and the alarming rate at which species are disappearing from the planet.
The juxtaposition of the bighorn ram against a stark, monochromatic background further emphasizes the sense of isolation and vulnerability facing endangered species. Warhol's decision to isolate the bighorn ram in this manner invites viewers to contemplate the animal's uncertain fate and the broader implications of habitat loss, climate change, and human intervention.
Moreover, Warhol's Endangered Species series serves as a call to action, urging viewers to take responsibility for the preservation of our planet's biodiversity. Through his art, Warhol encourages dialogue and awareness surrounding environmental issues, challenging viewers to consider their role in protecting endangered species and safeguarding the natural world for future generations.
In essence, Andy Warhol's Bighorn Ram print from the Endangered Species series is not only a visually captivating work of art but also a powerful statement on the urgent need for conservation and environmental stewardship. Through his distinctive blend of pop art aesthetics and social commentary, Warhol inspires viewers to recognize the beauty and value of the natural world and to take action to ensure its survival.%3Cdiv%20class%3D%22artist%22%3EAndy%20Warhol%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBighorn%20Ram%20F.S.%20II%20302%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1983%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%20on%20Lenox%20Museum%20Board%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E38%20x%2038%20in%3Cbr/%3E%0A96.5%20x%2096.5%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%20150%2C%2030%20AP%2C%205%20PP%2C%205%20EP%2C%203%20HC%2C%2010%20numbered%20in%20Roman%20numerals%2C%201%20BAT%2C%2030%20TP%3C/div%3E%3Cdiv%20class%3D%22series%22%3E%3Cspan%20class%3D%22artwork_caption_prefix%22%3ESeries%3A%3C/span%3E%20Endangered%20Species%20%3C/div%3ERelated artworks-
Andy Warhol, African Elephant F.S. II 293, 1983
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Andy Warhol, Bald Eagle F.S. II 296, 1983
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Andy Warhol, Turtle F.S. II 360A, 1985
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Andy Warhol, San Francisco Silverspot Butterfly F.S. II 298, 1983
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Andy Warhol, Black Rhinoceros F.S. II 301, 1983
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Andy Warhol, Siberian Tiger F.S. II 297, 1983
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Andy Warhol, Pine Barrens Tree Frog F.S. II 294, 1983
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Andy Warhol, Grevy's Zebra F.S. II 300, 1983
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Andy Warhol, Turtle F.S. II 360A, 1985
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Andy Warhol, Giant Panda F.S. II 295, 1983
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Andy Warhol, Endangered Species F.S. II 293-302, 1983
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Andy Warhol, Orangutan F.S. II 299, 1983
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