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Artworks
Andy Warhol
General Custer F.S. II 379, from Cowboys and Indians, 1986Screen print on Lenox Museum Board36 x 36 in
91.4 x 91.4 cmEdition of 250 plus 50 AP, 15 PP, 15 HC, 10 numbered in Roman Numerals, 36 TPSeries: Cowboys and IndiansCopyright The ArtistAndy Warhol's General Custer print is a part of his iconic Cowboys and Indians series, which he created in the 1980s. This series marked Warhol's exploration of American mythology, particularly the portrayal of Native Americans and iconic figures from the Wild West. The General Custer print is a striking example of Warhol's distinctive pop art style and his penchant for reimagining famous historical figures through his own lens. In this print, Warhol depicts General George Armstrong Custer, a controversial and enigmatic figure known for his role in the American Indian Wars, particularly for his defeat at the Battle of the Little Bighorn in 1876. Warhol's portrayal of Custer is bold and graphic, utilizing vibrant colors and repeating imagery characteristic of his signature style. The use of repetition in Warhol's work often served to emphasize the mass production and commercialization prevalent in American culture. Warhol's depiction of Custer in this print is somewhat ambiguous, inviting viewers to ponder the complexities of his legacy. Custer is portrayed as a larger-than-life figure, embodying the mythos of the American frontier hero. However, Warhol's choice to include Custer in his Cowboys and Indians series alongside Native American figures raises questions about historical narratives and the glorification of conquest. Through his Cowboys and Indians series, Warhol aimed to challenge conventional notions of American identity and history. By juxtaposing images of Native Americans with iconic Western figures like Custer, Warhol encourages viewers to reconsider the narratives surrounding the American West and to critically examine the myths that have shaped American culture. Overall, Warhol's General Custer print from the Cowboys and Indians series is a thought-provoking piece that reflects the artist's fascination with American mythology and his ongoing exploration of the intersection between popular culture and history. It stands as a testament to Warhol's enduring influence as an artist who continuously pushed boundaries and challenged perceptions through his work.George Armstrong Custer was a Union cavalry officer in the American Civil War (1861–65) and a U.S. commander in wars against Native Americans over control of the Great Plains. He led his men in one of U.S. history's most controversial battles, the Battle of the Little Bighorn, on June 25, 1876.
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Andy Warhol, Action Picture F.S. II 375, from Cowboys and Indians, 1986
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Andy Warhol, Annie Oakley F.S. II 378, from Cowboys and Indians , 1986
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Andy Warhol, Buffalo Nickel F.S. II 374, from Cowboys and Indians, 1986
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Andy Warhol, Cowboys and Indians F.S. II 377-386 Cowboys and Indians, 1986
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Andy Warhol, Plains Indian Shield F.S. II 382, from Cowboys and Indians , 1986
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Andy Warhol, Northwest Coast Mask F.S. II 380, from Cowboys and Indians , 1986
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Andy Warhol, Teddy Roosevelt F.S. II 386, from Cowboys and Indians , 1986
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Andy Warhol, Mother and Child F.S. II 383, from Cowboys and Indians , 1986
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Andy Warhol, Kachina Dolls F.S. II 381, from Cowboys and Indians , 1986
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Andy Warhol, Indian Head Nickel F.S.II 385, from Cowboys and Indians , 1986
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Andy Warhol, Geronimo F.S. II 384, from Cowboys and Indians, 1986
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Andy Warhol, Sitting Bull F.S.III A 70 , from Cowboys and Indians, 1986
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Andy Warhol, War Bonnet Indian F.S. II 373, from Cowboys and Indians, 1986
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Andy Warhol, John Wayne F.S. II 377, from Cowboys and Indians, 1986
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Andy Warhol, Plains Indian Shield F.S. II 382, from Cowboys and Indians , 1986
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Andy Warhol, Northwest Coast Mask F.S. II 380, from Cowboys and Indians , 1986
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Andy Warhol, Kachina Dolls F.S. II 381, from Cowboys and Indians , 1986
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Andy Warhol, Annie Oakley F.S. II 378, from Cowboys and Indians , 1986
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